Musique : Rechercher |
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Musique : Rechercher |
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Come Away with Me»rank: 820par: Norah Jones
Chroniques et points de vue:From :lt is not just the timbre of Norah Jones's voice that is mature beyond her 22 years. Her assured phrasing and precise time are more often found in older singers as well. She is instantly recognizable, blending intimations of Billie Holiday and Nina Simone without sounding like anyone but herself. Anyway you slice it, she is a singer to be reckoned with. Her readings of the Hank Williams classic, 'Cold Cold Heart' and Hoagy Carmichael's 'The Nearness of You' alone are worth the price of the CD. Jones's own ... |
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Not Too Late»rank: 1012par: Norah Jones
Chroniques et points de vue:From :Although the music of Norah Jones continues to blend pop, soul, folk, and country with a seasoning of jazz, her third album for Blue Note is the first where she's written (or collaborated on) all the material. Beneath the smooth surface lie darker strains on the album-opening 'Wish l Could' (about a boyfriend lost to war), intimations of mortality in 'The Sun Doesn't Like You,' and the post-election horrors of 'My Dear Country.' The last seems to channel the inspiration of Brecht/Weill, while the equally bleak 'Sinkin' Soon' is ... |
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Feels Like Home»rank: 527par: Norah Jones
Chroniques et points de vue:From :Norah Jones blew everybody away with her jazzy, country-tinged, Grammy-winning debut CD, Come Away With Me. 0n this recording, Jones doesn't mess with her trademark formula. Under Arif Mardin's cozy co-production, Jones is supported by her writing partners, her Handsome Band, and some special guests (country legend Dolly Parton, Levon Helm and Garth Hudson of the Band, and jazz drummer Brian Blade, to name a few). Jones's Texas-twanged vocals and her sparse acoustic and electric Wurlitzer piano lines enliven the CD's 13 tracks, from the light and lively single, ... |
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Not Too Late (With DVD)»rank: 12707par: Norah Jones
Chroniques et points de vue:From :Norah Jones blew everybody away with her jazzy, country-tinged, Grammy-winning debut CD, Come Away With Me. 0n this recording, Jones doesn't mess with her trademark formula. Under Arif Mardin's cozy co-production, Jones is supported by her writing partners, her Handsome Band, and some special guests (country legend Dolly Parton, Levon Helm and Garth Hudson of the Band, and jazz drummer Brian Blade, to name a few). Jones's Texas-twanged vocals and her sparse acoustic and electric Wurlitzer piano lines enliven the CD's 13 tracks, from the light and lively single, ... |
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Maximum Norah Jones»rank: 15581par: Norah Jones
Chroniques et points de vue:From :Norah Jones blew everybody away with her jazzy, country-tinged, Grammy-winning debut CD, Come Away With Me. 0n this recording, Jones doesn't mess with her trademark formula. Under Arif Mardin's cozy co-production, Jones is supported by her writing partners, her Handsome Band, and some special guests (country legend Dolly Parton, Levon Helm and Garth Hudson of the Band, and jazz drummer Brian Blade, to name a few). Jones's Texas-twanged vocals and her sparse acoustic and electric Wurlitzer piano lines enliven the CD's 13 tracks, from the light and lively single, ... |
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Norah Jones:Tribute to»rank: 20007par: Norah Tribute Jones
Chroniques et points de vue:From :Norah Jones blew everybody away with her jazzy, country-tinged, Grammy-winning debut CD, Come Away With Me. 0n this recording, Jones doesn't mess with her trademark formula. Under Arif Mardin's cozy co-production, Jones is supported by her writing partners, her Handsome Band, and some special guests (country legend Dolly Parton, Levon Helm and Garth Hudson of the Band, and jazz drummer Brian Blade, to name a few). Jones's Texas-twanged vocals and her sparse acoustic and electric Wurlitzer piano lines enliven the CD's 13 tracks, from the light and lively single, ... |
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Artist's Choice: Norah Jones»rank: 20116par: Norah Jones
Chroniques et points de vue:From :Norah Jones blew everybody away with her jazzy, country-tinged, Grammy-winning debut CD, Come Away With Me. 0n this recording, Jones doesn't mess with her trademark formula. Under Arif Mardin's cozy co-production, Jones is supported by her writing partners, her Handsome Band, and some special guests (country legend Dolly Parton, Levon Helm and Garth Hudson of the Band, and jazz drummer Brian Blade, to name a few). Jones's Texas-twanged vocals and her sparse acoustic and electric Wurlitzer piano lines enliven the CD's 13 tracks, from the light and lively single, ... |
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New York City»rank: 15767par: Norah, Peter Malick Gro Jones
Chroniques et points de vue:From :Norah Jones blew everybody away with her jazzy, country-tinged, Grammy-winning debut CD, Come Away With Me. 0n this recording, Jones doesn't mess with her trademark formula. Under Arif Mardin's cozy co-production, Jones is supported by her writing partners, her Handsome Band, and some special guests (country legend Dolly Parton, Levon Helm and Garth Hudson of the Band, and jazz drummer Brian Blade, to name a few). Jones's Texas-twanged vocals and her sparse acoustic and electric Wurlitzer piano lines enliven the CD's 13 tracks, from the light and lively single, ... |
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Not Too Late (Limited Edition Digipak)»rank: 6127par: Norah Jones
Chroniques et points de vue:From :Although the music of Norah Jones continues to blend pop, soul, folk, and country with a seasoning of jazz, her third album for Blue Note is the first where she's written (or collaborated on) all the material. Beneath the smooth surface lie darker strains on the album-opening 'Wish l Could' (about a boyfriend lost to war), intimations of mortality in 'The Sun Doesn't Like You,' and the post-election horrors of 'My Dear Country.' The last seems to channel the inspiration of Brecht/Weill, while the equally bleak 'Sinkin' Soon' is ... |
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Norah Jones:Feels Like Home»rank: 36864par: Norah Jones
Chroniques et points de vue:From :Although the music of Norah Jones continues to blend pop, soul, folk, and country with a seasoning of jazz, her third album for Blue Note is the first where she's written (or collaborated on) all the material. Beneath the smooth surface lie darker strains on the album-opening 'Wish l Could' (about a boyfriend lost to war), intimations of mortality in 'The Sun Doesn't Like You,' and the post-election horrors of 'My Dear Country.' The last seems to channel the inspiration of Brecht/Weill, while the equally bleak 'Sinkin' Soon' is ... |
