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Meilleures ventes > Musique > Jazz, Blues et Musique actuelle

Promenade W/Duke

Promenade W/Duke

»rank: 102866

par: Michel Petrucciani


Chroniques et points de vue:From :While 1999's Ellington centenary launched a number of new tributes, homages to Duke have been appearing regularly since the '50s, as different generations of musicians explored his repertoire. The French pianist Michel Petrucciani, who died in 1999, recorded this solo exploration in 1993, emphasizing some of the most familiar material. Petrucciani brought all of his immense skill to the project, from driving left-hand rhythms to dancing right-hand runs to the dense harmonic explorations that ...


Playground

Playground

»rank: 102866

par: Michel Petrucciani


Chroniques et points de vue:Chronique amazon.fr:Dernier album de Michel Petrucciani pour le label Blue Note, Playground ressemble à un feu d'artifice. 0n déniche quelques thèmes savoureux ('September Song', 'Miles Davis Licks', 'Home'...) interprétés en compagnie de musiciens de choix (citons Anthony Jackson, 0mar Hakim ou Adam Holzman). De la belle musique jazz, moderne et très travaillée. 0n est loin de l'improvisation, mais Petrucciani excelle dans ce style avec un tel bonheur... --Eric Frank


Where Your Music Takes Me

Where Your Music Takes Me

»rank: 102866

par: Jimmy James


Chroniques et points de vue:Chronique amazon.fr:Dernier album de Michel Petrucciani pour le label Blue Note, Playground ressemble à un feu d'artifice. 0n déniche quelques thèmes savoureux ('September Song', 'Miles Davis Licks', 'Home'...) interprétés en compagnie de musiciens de choix (citons Anthony Jackson, 0mar Hakim ou Adam Holzman). De la belle musique jazz, moderne et très travaillée. 0n est loin de l'improvisation, mais Petrucciani excelle dans ce style avec un tel bonheur... --Eric Frank


Crossings

Crossings

»rank: 102866

par: Pierre Boussaguet, Guy Laffite


Chroniques et points de vue:Chronique amazon.fr:Dernier album de Michel Petrucciani pour le label Blue Note, Playground ressemble à un feu d'artifice. 0n déniche quelques thèmes savoureux ('September Song', 'Miles Davis Licks', 'Home'...) interprétés en compagnie de musiciens de choix (citons Anthony Jackson, 0mar Hakim ou Adam Holzman). De la belle musique jazz, moderne et très travaillée. 0n est loin de l'improvisation, mais Petrucciani excelle dans ce style avec un tel bonheur... --Eric Frank


Second Rhythm

Second Rhythm

»rank: 102866

par: Prysm


Chroniques et points de vue:From :This recording is special for two reasons. First, it highlights jazz talent from France; secondly, it features a bona fide group, not a mishmash of all-stars. lndeed, Prysm--pianist Pierre de Bethmann, Christophe Wallemme, and drummer-percussionist Benjamin Henocq--are a unit that creates, molds, and deconstructs harmony, rhythm, and melody in a way that only a group of individuals that has navigated the improvisational minefields together on a consistent basis can pull off. The trio plays ...


Poros

Poros

»rank: 102866


Chroniques et points de vue:From :This recording is special for two reasons. First, it highlights jazz talent from France; secondly, it features a bona fide group, not a mishmash of all-stars. lndeed, Prysm--pianist Pierre de Bethmann, Christophe Wallemme, and drummer-percussionist Benjamin Henocq--are a unit that creates, molds, and deconstructs harmony, rhythm, and melody in a way that only a group of individuals that has navigated the improvisational minefields together on a consistent basis can pull off. The trio plays ...


Planet Jazz

Planet Jazz

»rank: 102866

par: Oscar Peterson


Chroniques et points de vue:From :This recording is special for two reasons. First, it highlights jazz talent from France; secondly, it features a bona fide group, not a mishmash of all-stars. lndeed, Prysm--pianist Pierre de Bethmann, Christophe Wallemme, and drummer-percussionist Benjamin Henocq--are a unit that creates, molds, and deconstructs harmony, rhythm, and melody in a way that only a group of individuals that has navigated the improvisational minefields together on a consistent basis can pull off. The trio plays ...


Fly Pan Am

Fly Pan Am

»rank: 75884

par: Fly Pan Am


Chroniques et points de vue:From :This recording is special for two reasons. First, it highlights jazz talent from France; secondly, it features a bona fide group, not a mishmash of all-stars. lndeed, Prysm--pianist Pierre de Bethmann, Christophe Wallemme, and drummer-percussionist Benjamin Henocq--are a unit that creates, molds, and deconstructs harmony, rhythm, and melody in a way that only a group of individuals that has navigated the improvisational minefields together on a consistent basis can pull off. The trio plays ...


1998 Very Tall Band Recorded

1998 Very Tall Band Recorded

»rank: 10498

par: Oscar Peterson, Milt Jackson, Ray Brown


Chroniques et points de vue:From :This recording is special for two reasons. First, it highlights jazz talent from France; secondly, it features a bona fide group, not a mishmash of all-stars. lndeed, Prysm--pianist Pierre de Bethmann, Christophe Wallemme, and drummer-percussionist Benjamin Henocq--are a unit that creates, molds, and deconstructs harmony, rhythm, and melody in a way that only a group of individuals that has navigated the improvisational minefields together on a consistent basis can pull off. The trio plays ...


Pursuit

Pursuit

»rank: 90238

par: Benoit Delbecq


Chroniques et points de vue:From :This recording is special for two reasons. First, it highlights jazz talent from France; secondly, it features a bona fide group, not a mishmash of all-stars. lndeed, Prysm--pianist Pierre de Bethmann, Christophe Wallemme, and drummer-percussionist Benjamin Henocq--are a unit that creates, molds, and deconstructs harmony, rhythm, and melody in a way that only a group of individuals that has navigated the improvisational minefields together on a consistent basis can pull off. The trio plays ...



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We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.

The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?

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Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.

This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.


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