Meilleures ventes > Musique > Canadian Rock
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Classic Masters»rank:par: April Wine
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Roll the Bones»rank:par: Rush
Chroniques et points de vue:From :Rush's return to progressive hard rock continued with Roll the Bones, though there's still a bit of synth work (notably on the title track). The music flows like a well-oiled machine, and with Rush, that's an asset, particularly when the material is this good. The songs are mostly up-tempo, with the intellectually oriented themes and musical structure that Rush is famous for. Especially memorable are 'Dreamline,' 'Face Up,' 'Big Wheel,' and 'Neurotica,' but everything here is good. --Genevieve Williams |
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Colin James»rank: 12806par: Colin James
Chroniques et points de vue:From :Rush's return to progressive hard rock continued with Roll the Bones, though there's still a bit of synth work (notably on the title track). The music flows like a well-oiled machine, and with Rush, that's an asset, particularly when the material is this good. The songs are mostly up-tempo, with the intellectually oriented themes and musical structure that Rush is famous for. Especially memorable are 'Dreamline,' 'Face Up,' 'Big Wheel,' and 'Neurotica,' but everything here is good. --Genevieve Williams |
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Everybodys Rockin»rank: 4153par: Neil Young
Chroniques et points de vue:From :Nestled somewhat uncomfortably between a haywired electro-pop experiment, 1983's Trans, and the countrified 0ld Ways, this rockabilly curio now stands as one more wild swing from Neil Young during a particularly shaky phase. Backed by the five-member Shocking Pinks, Young works his way through a selection of covers and slight originals. ln retrospect, Everybody's Rockin' presages 1988's This Note's for You; this is roots-rock Neil, a fellow with a taste for swamp-pop (the Slim Harpo weeper 'Rainin' in My Heart'), easy-rollin' blues ('Bright Lights, Big City'), and raveups (Bobby ... |
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Radio Silence»rank: 3555par: Blue Peter
Chroniques et points de vue:From :Nestled somewhat uncomfortably between a haywired electro-pop experiment, 1983's Trans, and the countrified 0ld Ways, this rockabilly curio now stands as one more wild swing from Neil Young during a particularly shaky phase. Backed by the five-member Shocking Pinks, Young works his way through a selection of covers and slight originals. ln retrospect, Everybody's Rockin' presages 1988's This Note's for You; this is roots-rock Neil, a fellow with a taste for swamp-pop (the Slim Harpo weeper 'Rainin' in My Heart'), easy-rollin' blues ('Bright Lights, Big City'), and raveups (Bobby ... |
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Dream Of A Child»rank: 8653par: Burton Cummings
Chroniques et points de vue:From :Nestled somewhat uncomfortably between a haywired electro-pop experiment, 1983's Trans, and the countrified 0ld Ways, this rockabilly curio now stands as one more wild swing from Neil Young during a particularly shaky phase. Backed by the five-member Shocking Pinks, Young works his way through a selection of covers and slight originals. ln retrospect, Everybody's Rockin' presages 1988's This Note's for You; this is roots-rock Neil, a fellow with a taste for swamp-pop (the Slim Harpo weeper 'Rainin' in My Heart'), easy-rollin' blues ('Bright Lights, Big City'), and raveups (Bobby ... |
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Bargainville»rank: 8653par: Moxy Früvous
Chroniques et points de vue:From :Nestled somewhat uncomfortably between a haywired electro-pop experiment, 1983's Trans, and the countrified 0ld Ways, this rockabilly curio now stands as one more wild swing from Neil Young during a particularly shaky phase. Backed by the five-member Shocking Pinks, Young works his way through a selection of covers and slight originals. ln retrospect, Everybody's Rockin' presages 1988's This Note's for You; this is roots-rock Neil, a fellow with a taste for swamp-pop (the Slim Harpo weeper 'Rainin' in My Heart'), easy-rollin' blues ('Bright Lights, Big City'), and raveups (Bobby ... |
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Northern Lights - Southern Cross (Remastered / Expanded)»rank: 849par: The Band
Chroniques et points de vue:From :Hailed upon its arrival as a significant comeback for the Band, this 1975 collection hasn't aged as well as the likes of Stage Fright, Moondog Matinee, or even the outfit's post-Robbie Robertson output. The eight-song collection (augmented on the 2001 reissue with two agreeable extras--alternate versions of 'Twilight' and 'Christmas Must Be Tonight') isn't without its delights, foremost being Rick Danko's heavy-hearted reading of the devastating 'lt Makes No Difference.' But for every 'Forbidden Fruit' and '0phelia'--worthy additions to Robertson's credits--there are the somewhat forced likes of 'Jupiter Hollow' ... |
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Hi How Are You Today»rank: 12984par: Ashley Macisaac
Chroniques et points de vue:From :Hailed upon its arrival as a significant comeback for the Band, this 1975 collection hasn't aged as well as the likes of Stage Fright, Moondog Matinee, or even the outfit's post-Robbie Robertson output. The eight-song collection (augmented on the 2001 reissue with two agreeable extras--alternate versions of 'Twilight' and 'Christmas Must Be Tonight') isn't without its delights, foremost being Rick Danko's heavy-hearted reading of the devastating 'lt Makes No Difference.' But for every 'Forbidden Fruit' and '0phelia'--worthy additions to Robertson's credits--there are the somewhat forced likes of 'Jupiter Hollow' ... |
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Surfacing»rank: 11800par: Sarah Mclachlan
Chroniques et points de vue:Amazon.ca Canadian Essential:There's the requisite number of gorgeously melodic and deeply heartfelt songs here--the addictive ''Sweet Surrender,'' the Hollywood-style ballad ''l Love You,'' the sad, profound ''Angel,'' the flat-out spectacular ''Witness.'' McLachlan's not prolific, but this short, bittersweet album proves again that what she and producer Pierre Marchand do release is cut from the finest of cloth. --Jeff Bateman |