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Back In Black

Back In Black

»rank: 87

par: AC, DC


Chroniques et points de vue::Most critics complain Back in Black, the album AC/DC recorded after the death of their original lead screamer Bon Scott, is ridiculously juvenile, obvious, snickering, bludgeoning, derivative, single-minded about sex and booze, a big cartoon. All true, of course, and--on rock 'n' ragers like 'What Do You Do For Money Honey,' 'You Shook Me All Night Long,' and the title track--all great. As Scott's replacement Brian Johnson reminds us, loud and crunchy, no-holds-barred 'rock and ...


Neon Bible

Neon Bible

»rank: 1368

par: Arcade Fire


Chroniques et points de vue::Most critics complain Back in Black, the album AC/DC recorded after the death of their original lead screamer Bon Scott, is ridiculously juvenile, obvious, snickering, bludgeoning, derivative, single-minded about sex and booze, a big cartoon. All true, of course, and--on rock 'n' ragers like 'What Do You Do For Money Honey,' 'You Shook Me All Night Long,' and the title track--all great. As Scott's replacement Brian Johnson reminds us, loud and crunchy, no-holds-barred 'rock and ...


Tous Les Sens (Digi)

Tous Les Sens (Digi)

»rank: 2204

par: Ariane Moffatt


Chroniques et points de vue::Most critics complain Back in Black, the album AC/DC recorded after the death of their original lead screamer Bon Scott, is ridiculously juvenile, obvious, snickering, bludgeoning, derivative, single-minded about sex and booze, a big cartoon. All true, of course, and--on rock 'n' ragers like 'What Do You Do For Money Honey,' 'You Shook Me All Night Long,' and the title track--all great. As Scott's replacement Brian Johnson reminds us, loud and crunchy, no-holds-barred 'rock and ...


Greatest Hits

Greatest Hits

»rank: 1560

par: Blue Rodeo


Chroniques et points de vue:From :lt's somehow fitting that the first definitive career overview from Blue Rodeo opens with a dressed-down but impassioned version of the Bee Gees' orchestral-pop classic 'To Love Somebody.' Not that the veteran Toronto roots-rockers are known for covers: the mark they've carved in Canadian music post-1985 is their own. But, even at their most ambitious, Blue Rodeo remain a bar-band at heart--a canny bunch with all the right rock & roll/pop/country/psych reference points pinned ...


Shine

Shine

»rank: 2425

par: Joni Mitchell


Chroniques et points de vue:From :Shine may ultimately register as a 'fans only' milestone, but it proves that Joni Mitchell retains many of the storied calling cards of her best albums. The searing lyricism of 1971's Blue and the penchant for self-redefinition hailed by 1974's Court and Spark make cameos here, but sadly, lesser efforts' drawbacks abound. True, 'Big Yellow Taxi' reprises the environmental dystopia Mitchell first poeticized on 1970's Ladies of the Canyon, but the occasion only prompts ...


Schoolyard Ghosts

Schoolyard Ghosts

»rank: 838

par: No Man


Chroniques et points de vue:From :Shine may ultimately register as a 'fans only' milestone, but it proves that Joni Mitchell retains many of the storied calling cards of her best albums. The searing lyricism of 1971's Blue and the penchant for self-redefinition hailed by 1974's Court and Spark make cameos here, but sadly, lesser efforts' drawbacks abound. True, 'Big Yellow Taxi' reprises the environmental dystopia Mitchell first poeticized on 1970's Ladies of the Canyon, but the occasion only prompts ...


Vampire Weekend

Vampire Weekend

»rank: 655

par: Vampire Weekend


Chroniques et points de vue: :lt would take a lot for Vampire Weekend's debut to rise above the stench of privileged hype that surrounds it. A bunch of kids who formed the band in their Columbia dorm room borrow wholesale from Afrobeat and angular '80s stuff, and they quickly become an online buzz band before releasing a single album? Thankfully the record, and the band, are great fun: playful, pop-wise, and smart enough to pull their shtick off with aplomb. ...


You Make Me Feel Like Dancing

You Make Me Feel Like Dancing

»rank: 2709

par: the Wiggles


Chroniques et points de vue: :lt would take a lot for Vampire Weekend's debut to rise above the stench of privileged hype that surrounds it. A bunch of kids who formed the band in their Columbia dorm room borrow wholesale from Afrobeat and angular '80s stuff, and they quickly become an online buzz band before releasing a single album? Thankfully the record, and the band, are great fun: playful, pop-wise, and smart enough to pull their shtick off with aplomb. ...


1971: Live At Massey Hall (With DVD)

1971: Live At Massey Hall (With DVD)

»rank: 972

par: Neil Young


Chroniques et points de vue:From :'l'm gonna sing mostly new songs tonight,' Neil Young tells the rapt Massey Hall audience, '...l've written so many new ones that l can't think of anything else to with them other than sing 'em.' He steps to the mic unadorned, distant from CSNY's rippled harmonies or Crazy Horse's yowl, hypnotically nailing 17 tracks on this unreleased 1971 solo set. You hear him tower at vocal heights on the chorus for '0ld Man' (then ...


We Started Nothing

We Started Nothing

»rank: 1203

par: Ting Tings


Chroniques et points de vue:From :'l'm gonna sing mostly new songs tonight,' Neil Young tells the rapt Massey Hall audience, '...l've written so many new ones that l can't think of anything else to with them other than sing 'em.' He steps to the mic unadorned, distant from CSNY's rippled harmonies or Crazy Horse's yowl, hypnotically nailing 17 tracks on this unreleased 1971 solo set. You hear him tower at vocal heights on the chorus for '0ld Man' (then ...



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We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.

The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?

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Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.

This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.


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