Meilleures ventes > Musique > Music
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Meilleures ventes > Musique > Music
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Best Of»rank: 973par: Raffi
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Beyond»rank: 1457par: William Joseph
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Bob Seger: Greatest Hits»rank: 76par: Bob Seger
Chroniques et points de vue:From Amazon.co.uk:Bob Seger has racked up a lot of worthy tracks over the years, but it took until 1994 for a greatest hits package to appear. Voilà. The bad news: We're missing an awful lot of songs here. Night Moves is Seger's crit-pick album, and a great place to start if you don't have any Seger at all. Next in the rankings is Stranger in Town. 0therwise, his highs are pretty scattered, which would make ... |
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Tous Les Sens (Digi)»rank: 1656par: Ariane Moffatt
Chroniques et points de vue:From Amazon.co.uk:Bob Seger has racked up a lot of worthy tracks over the years, but it took until 1994 for a greatest hits package to appear. Voilà. The bad news: We're missing an awful lot of songs here. Night Moves is Seger's crit-pick album, and a great place to start if you don't have any Seger at all. Next in the rankings is Stranger in Town. 0therwise, his highs are pretty scattered, which would make ... |
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Greatest Hits»rank: 1195par: Blue Rodeo
Chroniques et points de vue:From :lt's somehow fitting that the first definitive career overview from Blue Rodeo opens with a dressed-down but impassioned version of the Bee Gees' orchestral-pop classic 'To Love Somebody.' Not that the veteran Toronto roots-rockers are known for covers: the mark they've carved in Canadian music post-1985 is their own. But, even at their most ambitious, Blue Rodeo remain a bar-band at heart--a canny bunch with all the right rock & roll/pop/country/psych reference points pinned ... |
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Lost In The 80s»rank: 69par: the Lost Fingers
Chroniques et points de vue:From :lt's somehow fitting that the first definitive career overview from Blue Rodeo opens with a dressed-down but impassioned version of the Bee Gees' orchestral-pop classic 'To Love Somebody.' Not that the veteran Toronto roots-rockers are known for covers: the mark they've carved in Canadian music post-1985 is their own. But, even at their most ambitious, Blue Rodeo remain a bar-band at heart--a canny bunch with all the right rock & roll/pop/country/psych reference points pinned ... |
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Daughtry»rank: 66par: Daughtry
Chroniques et points de vue:From :Chris Daughtry starts his first post-American ldol disc with a song whose title reviewers coast to coast will be grateful for: 'lt's Not 0ver.' What an understatement. For the ldol-watching rock fan's money, nobody--not even Southern-fried heartthrob Bo Bice in season four--stormed the stage with more raw talent. That it translates so well to a solo disc (Daughtry was recorded with studio musicians; future discs will include a Daughtry-assembled band) proves all he needed ... |
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Ghosts I-IV»rank: 2264par: Nine Inch Nails
Chroniques et points de vue:From :Chris Daughtry starts his first post-American ldol disc with a song whose title reviewers coast to coast will be grateful for: 'lt's Not 0ver.' What an understatement. For the ldol-watching rock fan's money, nobody--not even Southern-fried heartthrob Bo Bice in season four--stormed the stage with more raw talent. That it translates so well to a solo disc (Daughtry was recorded with studio musicians; future discs will include a Daughtry-assembled band) proves all he needed ... |
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Shine»rank: 1833par: Joni Mitchell
Chroniques et points de vue:From :Shine may ultimately register as a 'fans only' milestone, but it proves that Joni Mitchell retains many of the storied calling cards of her best albums. The searing lyricism of 1971's Blue and the penchant for self-redefinition hailed by 1974's Court and Spark make cameos here, but sadly, lesser efforts' drawbacks abound. True, 'Big Yellow Taxi' reprises the environmental dystopia Mitchell first poeticized on 1970's Ladies of the Canyon, but the occasion only prompts ... |
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Lay It Down»rank: 692par: Al Green
Chroniques et points de vue:From :Shine may ultimately register as a 'fans only' milestone, but it proves that Joni Mitchell retains many of the storied calling cards of her best albums. The searing lyricism of 1971's Blue and the penchant for self-redefinition hailed by 1974's Court and Spark make cameos here, but sadly, lesser efforts' drawbacks abound. True, 'Big Yellow Taxi' reprises the environmental dystopia Mitchell first poeticized on 1970's Ladies of the Canyon, but the occasion only prompts ... |