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Meilleures ventes > Musique > Europe

La Radiolina

La Radiolina

»rank: 6869

par: Manu Chao


Chroniques et points de vue:From :Americans waited six years for a new studio album from one of the most exciting ambassadors of cosmopolitan party/protest music. lnfusing rock fundamentals with elements of ska, reggae, punk, and Afro-pop since fronting Mano Negra ('Black Hand') in 1986, Chao's grown by continental leaps as a bandleader since then, as La Radiolina's mix of festival-rousing rock, defiant politics, and multilingual lyrics attests. Lead single 'Rainin in Paradize' alone should propel Chao (née 0scar Tramor) into ...


Tupelo Honey (Rm)

Tupelo Honey (Rm)

»rank: 1002

par: Van Morrison


Chroniques et points de vue:From :Americans waited six years for a new studio album from one of the most exciting ambassadors of cosmopolitan party/protest music. lnfusing rock fundamentals with elements of ska, reggae, punk, and Afro-pop since fronting Mano Negra ('Black Hand') in 1986, Chao's grown by continental leaps as a bandleader since then, as La Radiolina's mix of festival-rousing rock, defiant politics, and multilingual lyrics attests. Lead single 'Rainin in Paradize' alone should propel Chao (née 0scar Tramor) into ...


Mask And Mirror

Mask And Mirror

»rank: 9639

par: Loreena Mckennitt


Chroniques et points de vue:From :Loreena McKennitt drew her inspiration for this album from 15th century Spain, where the cultures of Christianity, Judaism, and lslam coexisted uneasily, tied together by a common tradition of religious mysticism. McKennitt reflects the multi-culturalism in arrangements that mix the half-tone intervals and familiar instruments of the Aryan north with the quarter-tone intervals and dumbeg, oud, and tamboura of the Semitic south. The results are often intoxicating, even if the composer consistently prefers slow-moving tempos. ...


Truth (Expanded)

Truth (Expanded)

»rank: 6825

par: Jeff Beck


Chroniques et points de vue:From :Loreena McKennitt drew her inspiration for this album from 15th century Spain, where the cultures of Christianity, Judaism, and lslam coexisted uneasily, tied together by a common tradition of religious mysticism. McKennitt reflects the multi-culturalism in arrangements that mix the half-tone intervals and familiar instruments of the Aryan north with the quarter-tone intervals and dumbeg, oud, and tamboura of the Semitic south. The results are often intoxicating, even if the composer consistently prefers slow-moving tempos. ...


Burn (Expanded)

Burn (Expanded)

»rank: 1279

par: Deep Purple


Chroniques et points de vue:From :Loreena McKennitt drew her inspiration for this album from 15th century Spain, where the cultures of Christianity, Judaism, and lslam coexisted uneasily, tied together by a common tradition of religious mysticism. McKennitt reflects the multi-culturalism in arrangements that mix the half-tone intervals and familiar instruments of the Aryan north with the quarter-tone intervals and dumbeg, oud, and tamboura of the Semitic south. The results are often intoxicating, even if the composer consistently prefers slow-moving tempos. ...


Made In Germany

Made In Germany

»rank: 20777

par: Amon Düül II


Chroniques et points de vue:From :Loreena McKennitt drew her inspiration for this album from 15th century Spain, where the cultures of Christianity, Judaism, and lslam coexisted uneasily, tied together by a common tradition of religious mysticism. McKennitt reflects the multi-culturalism in arrangements that mix the half-tone intervals and familiar instruments of the Aryan north with the quarter-tone intervals and dumbeg, oud, and tamboura of the Semitic south. The results are often intoxicating, even if the composer consistently prefers slow-moving tempos. ...


Mr. Love And Justice (Ltd Ed)

Mr. Love And Justice (Ltd Ed)

»rank: 10459

par: Billy Bragg


Chroniques et points de vue:From :Loreena McKennitt drew her inspiration for this album from 15th century Spain, where the cultures of Christianity, Judaism, and lslam coexisted uneasily, tied together by a common tradition of religious mysticism. McKennitt reflects the multi-culturalism in arrangements that mix the half-tone intervals and familiar instruments of the Aryan north with the quarter-tone intervals and dumbeg, oud, and tamboura of the Semitic south. The results are often intoxicating, even if the composer consistently prefers slow-moving tempos. ...


Out Of The Blue (30th Ann)

Out Of The Blue (30th Ann)

»rank: 1269

par: Electric Light Orchestra


Chroniques et points de vue:From :Loreena McKennitt drew her inspiration for this album from 15th century Spain, where the cultures of Christianity, Judaism, and lslam coexisted uneasily, tied together by a common tradition of religious mysticism. McKennitt reflects the multi-culturalism in arrangements that mix the half-tone intervals and familiar instruments of the Aryan north with the quarter-tone intervals and dumbeg, oud, and tamboura of the Semitic south. The results are often intoxicating, even if the composer consistently prefers slow-moving tempos. ...


Parle-Moi (Frn)

Parle-Moi (Frn)

»rank: 6540

par: Chloe Sainte - Marie


Chroniques et points de vue:From :Loreena McKennitt drew her inspiration for this album from 15th century Spain, where the cultures of Christianity, Judaism, and lslam coexisted uneasily, tied together by a common tradition of religious mysticism. McKennitt reflects the multi-culturalism in arrangements that mix the half-tone intervals and familiar instruments of the Aryan north with the quarter-tone intervals and dumbeg, oud, and tamboura of the Semitic south. The results are often intoxicating, even if the composer consistently prefers slow-moving tempos. ...


X Factor

X Factor

»rank: 649

par: Iron Maiden


Chroniques et points de vue:From :Loreena McKennitt drew her inspiration for this album from 15th century Spain, where the cultures of Christianity, Judaism, and lslam coexisted uneasily, tied together by a common tradition of religious mysticism. McKennitt reflects the multi-culturalism in arrangements that mix the half-tone intervals and familiar instruments of the Aryan north with the quarter-tone intervals and dumbeg, oud, and tamboura of the Semitic south. The results are often intoxicating, even if the composer consistently prefers slow-moving tempos. ...



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