Meilleures ventes > Musique > Europe
|
|
|
La Radiolina»rank: 6869par: Manu Chao
Chroniques et points de vue:From :Americans waited six years for a new studio album from one of the most exciting ambassadors of cosmopolitan party/protest music. lnfusing rock fundamentals with elements of ska, reggae, punk, and Afro-pop since fronting Mano Negra ('Black Hand') in 1986, Chao's grown by continental leaps as a bandleader since then, as La Radiolina's mix of festival-rousing rock, defiant politics, and multilingual lyrics attests. Lead single 'Rainin in Paradize' alone should propel Chao (née 0scar Tramor) into ... |
|
Tupelo Honey (Rm)»rank: 1002par: Van Morrison
Chroniques et points de vue:From :Americans waited six years for a new studio album from one of the most exciting ambassadors of cosmopolitan party/protest music. lnfusing rock fundamentals with elements of ska, reggae, punk, and Afro-pop since fronting Mano Negra ('Black Hand') in 1986, Chao's grown by continental leaps as a bandleader since then, as La Radiolina's mix of festival-rousing rock, defiant politics, and multilingual lyrics attests. Lead single 'Rainin in Paradize' alone should propel Chao (née 0scar Tramor) into ... |
|
Mask And Mirror»rank: 9639par: Loreena Mckennitt
Chroniques et points de vue:From :Loreena McKennitt drew her inspiration for this album from 15th century Spain, where the cultures of Christianity, Judaism, and lslam coexisted uneasily, tied together by a common tradition of religious mysticism. McKennitt reflects the multi-culturalism in arrangements that mix the half-tone intervals and familiar instruments of the Aryan north with the quarter-tone intervals and dumbeg, oud, and tamboura of the Semitic south. The results are often intoxicating, even if the composer consistently prefers slow-moving tempos. ... |
|
Truth (Expanded)»rank: 6825par: Jeff Beck
Chroniques et points de vue:From :Loreena McKennitt drew her inspiration for this album from 15th century Spain, where the cultures of Christianity, Judaism, and lslam coexisted uneasily, tied together by a common tradition of religious mysticism. McKennitt reflects the multi-culturalism in arrangements that mix the half-tone intervals and familiar instruments of the Aryan north with the quarter-tone intervals and dumbeg, oud, and tamboura of the Semitic south. The results are often intoxicating, even if the composer consistently prefers slow-moving tempos. ... |
|
Burn (Expanded)»rank: 1279par: Deep Purple
Chroniques et points de vue:From :Loreena McKennitt drew her inspiration for this album from 15th century Spain, where the cultures of Christianity, Judaism, and lslam coexisted uneasily, tied together by a common tradition of religious mysticism. McKennitt reflects the multi-culturalism in arrangements that mix the half-tone intervals and familiar instruments of the Aryan north with the quarter-tone intervals and dumbeg, oud, and tamboura of the Semitic south. The results are often intoxicating, even if the composer consistently prefers slow-moving tempos. ... |
|
Made In Germany»rank: 20777par: Amon Düül II
Chroniques et points de vue:From :Loreena McKennitt drew her inspiration for this album from 15th century Spain, where the cultures of Christianity, Judaism, and lslam coexisted uneasily, tied together by a common tradition of religious mysticism. McKennitt reflects the multi-culturalism in arrangements that mix the half-tone intervals and familiar instruments of the Aryan north with the quarter-tone intervals and dumbeg, oud, and tamboura of the Semitic south. The results are often intoxicating, even if the composer consistently prefers slow-moving tempos. ... |
|
Mr. Love And Justice (Ltd Ed)»rank: 10459par: Billy Bragg
Chroniques et points de vue:From :Loreena McKennitt drew her inspiration for this album from 15th century Spain, where the cultures of Christianity, Judaism, and lslam coexisted uneasily, tied together by a common tradition of religious mysticism. McKennitt reflects the multi-culturalism in arrangements that mix the half-tone intervals and familiar instruments of the Aryan north with the quarter-tone intervals and dumbeg, oud, and tamboura of the Semitic south. The results are often intoxicating, even if the composer consistently prefers slow-moving tempos. ... |
|
Out Of The Blue (30th Ann)»rank: 1269par: Electric Light Orchestra
Chroniques et points de vue:From :Loreena McKennitt drew her inspiration for this album from 15th century Spain, where the cultures of Christianity, Judaism, and lslam coexisted uneasily, tied together by a common tradition of religious mysticism. McKennitt reflects the multi-culturalism in arrangements that mix the half-tone intervals and familiar instruments of the Aryan north with the quarter-tone intervals and dumbeg, oud, and tamboura of the Semitic south. The results are often intoxicating, even if the composer consistently prefers slow-moving tempos. ... |
|
Parle-Moi (Frn)»rank: 6540par: Chloe Sainte - Marie
Chroniques et points de vue:From :Loreena McKennitt drew her inspiration for this album from 15th century Spain, where the cultures of Christianity, Judaism, and lslam coexisted uneasily, tied together by a common tradition of religious mysticism. McKennitt reflects the multi-culturalism in arrangements that mix the half-tone intervals and familiar instruments of the Aryan north with the quarter-tone intervals and dumbeg, oud, and tamboura of the Semitic south. The results are often intoxicating, even if the composer consistently prefers slow-moving tempos. ... |
|
X Factor»rank: 649par: Iron Maiden
Chroniques et points de vue:From :Loreena McKennitt drew her inspiration for this album from 15th century Spain, where the cultures of Christianity, Judaism, and lslam coexisted uneasily, tied together by a common tradition of religious mysticism. McKennitt reflects the multi-culturalism in arrangements that mix the half-tone intervals and familiar instruments of the Aryan north with the quarter-tone intervals and dumbeg, oud, and tamboura of the Semitic south. The results are often intoxicating, even if the composer consistently prefers slow-moving tempos. ... |