Meilleures ventes > Musique > Techno
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Meilleures ventes > Musique > Techno
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Gettin' High on Your Own Supply»rank: 25573par: Apollo Four Forty
Chroniques et points de vue:From :Apollo Four Forty have nothing if not a preponderance of raw, frenzied energy going for them. Whether they're channeling Van Halen on 'Ain't Talkin' 'Bout Dub' (off 1997's Electro Glide in Blue) or indulging in goofy Fatboy Slimesque big beat on songs like 'Stop the Rock' off of this disc, there's no denying their good-natured, infectious enthusiasm. While the empty-headedness that such manic tendencies often breed can be exasperating, their willingness to experiment keeps everything so fresh that you barely have time to notice. Rock-god guitar riffs mixed with ... |
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Fast Asleep (Dvd)»rank: 25458par: Funki Porcini
Chroniques et points de vue:From :Apollo Four Forty have nothing if not a preponderance of raw, frenzied energy going for them. Whether they're channeling Van Halen on 'Ain't Talkin' 'Bout Dub' (off 1997's Electro Glide in Blue) or indulging in goofy Fatboy Slimesque big beat on songs like 'Stop the Rock' off of this disc, there's no denying their good-natured, infectious enthusiasm. While the empty-headedness that such manic tendencies often breed can be exasperating, their willingness to experiment keeps everything so fresh that you barely have time to notice. Rock-god guitar riffs mixed with ... |
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18»rank: 127262de: V2
Chroniques et points de vue:From :Following one of the most licensed CDs in history, 18 delivers more of the gospel samples and spiritual exploration that made Play Moby's breakthrough album. But keep your expectations in check. 0n 18 there is barely a body-rocker in the bunch. This is often a somber, melancholy disc, blanketed in the washed-over cinematic orchestral melodies Moby's been fond of since his classic self-titled debut. lt requires several listenings before the gems shine through the ambient fog--and most depart from Play entirely. 0n the deceptively minimalist opening track, Moby delivers ... |
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Dance Pieces»rank: 24665de: CBS
Chroniques et points de vue:Chronique amazon.fr:0n associe souvent Philip Glass à Steve Reich, Terry Riley et La Monte Young. Autant pour les deux premiers, la comparaison va de soi, même si chacun possède sa spécificité, autant pour le dernier, les préoccupations semblent différentes sinon opposées. Et ce Dance Pieces ne fait pas exception à la règle qui en témoigne. Là où La Monte Young se concentre sur la prolongation du son et les effets que cela produit sur l'auditeur, Glass part du constat qu'une note est constituée de cellules rythmiques répétées que nous ne ... |
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Stdiosnd Types»rank: 24665par: SND
Chroniques et points de vue:From :This is the second release from this Sheffield, U.K., duo, who practice a decidedly mechanical, minimalist brand of techno. The music here is closer to the aural equivalent of an algorithm in action than what most people might think of as composed music. The sounds are principally one- or two-note keyboard hits and metronomic rhythms that are sometimes little more than a clicking sound. Track 7 is about as busy as it gets with two chords, a four-note melody, three percussion sounds and an extra note or two shimmering ... |
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Spirit»rank: 21174par: Liquid Mind
Chroniques et points de vue:From :This is the second release from this Sheffield, U.K., duo, who practice a decidedly mechanical, minimalist brand of techno. The music here is closer to the aural equivalent of an algorithm in action than what most people might think of as composed music. The sounds are principally one- or two-note keyboard hits and metronomic rhythms that are sometimes little more than a clicking sound. Track 7 is about as busy as it gets with two chords, a four-note melody, three percussion sounds and an extra note or two shimmering ... |
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United State of Ambience - Vol»rank: 26555par: Various
Chroniques et points de vue:From :This is the second release from this Sheffield, U.K., duo, who practice a decidedly mechanical, minimalist brand of techno. The music here is closer to the aural equivalent of an algorithm in action than what most people might think of as composed music. The sounds are principally one- or two-note keyboard hits and metronomic rhythms that are sometimes little more than a clicking sound. Track 7 is about as busy as it gets with two chords, a four-note melody, three percussion sounds and an extra note or two shimmering ... |
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Piano»rank: 5532de: EMI Music Canada
Chroniques et points de vue:From :Michael Nyman came of age as a classical composer in the radical London of the late '60s. His work embraces multiple vernaculars (jazz, avant garde, conceptual art) and helped cement the foundation of what came to be known as minimalism. Decades into his career, Nyman's score to Jane Campion's film The Piano made him a star. The movie's themes of colonialism and silence (its protagonist, portrayed by Holly Hunter, cannot speak) were perfectly aligned with his longtime interests in world and ambient music. Horn players assist members of the ... |
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1/2 : Moondog»rank: 25261par: Moondog
Chroniques et points de vue:From :Michael Nyman came of age as a classical composer in the radical London of the late '60s. His work embraces multiple vernaculars (jazz, avant garde, conceptual art) and helped cement the foundation of what came to be known as minimalism. Decades into his career, Nyman's score to Jane Campion's film The Piano made him a star. The movie's themes of colonialism and silence (its protagonist, portrayed by Holly Hunter, cannot speak) were perfectly aligned with his longtime interests in world and ambient music. Horn players assist members of the ... |
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V1-4 Freestyle Heaven Forever»rank: 24561par: Various
Chroniques et points de vue:From :Michael Nyman came of age as a classical composer in the radical London of the late '60s. His work embraces multiple vernaculars (jazz, avant garde, conceptual art) and helped cement the foundation of what came to be known as minimalism. Decades into his career, Nyman's score to Jane Campion's film The Piano made him a star. The movie's themes of colonialism and silence (its protagonist, portrayed by Holly Hunter, cannot speak) were perfectly aligned with his longtime interests in world and ambient music. Horn players assist members of the ... |