Meilleures ventes > Musique > Electronica
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Meilleures ventes > Musique > Electronica
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9 Heavens»rank: 8407par: Niyaz
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Dream»rank: 5195par: Orb
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Discovery»rank: 7869par: Daft Punk
Chroniques et points de vue:From :The French twosome behind Daft Punk, Thomas Bangalter and Guy-Manuel De Homem-Christo, get away with an awful lot. They go around impersonating aliens and robots in their interviews, they put records out only once every three years, and they make music that evokes a million other artists--while not really sounding like any of them. The keyboard noodlings of Jean-Michel Jarre are in there somewhere, along with the otherworldly imagery and giant hooks of '70s rock icons ... |
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Genetic World»rank: 19404par: Télépopmusik
Chroniques et points de vue:Chronique amazon.fr:En 2001, la scène électro française se porte à merveille. Daft Punk et Air ont tracé la voie. Readymade et Telepopmusik suivent en rang serré, s'engouffrant à distance raisonnable du peloton de tête. Si Genetic World, premier album des derniers cités, est une réussite, ce n'est pas non plus le fruit du hasard. Ce trio parisien n'est pas sorti de nulle part comme en témoignent ses prestigieux états de services. Repéré sur le troisième volume des ... |
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Volta»rank: 4604par: Bjork
Chroniques et points de vue:From :Björk's main asset as a musician is her fearlessness. Since the end of the Sugarcubes and the pop-dance of Debut, she has released progressively more experimental records. But after well over a decade of going further and further out, Volta steps back. Make no mistake; this is Björk, and so it's still fabulously weird. Like 2004's mesmerizing Medúlla and the 2005 soundtrack for Drawing Restraint 9, the songs are blissfully peculiar, with narratives about love, offspring, ... |
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Computer World»rank: 6849par: Kraftwerk
Chroniques et points de vue: essential recording:This is the album pundits like to point to when they accuse Kraftwerk of being digital-age visionaries; an all-too-easy assessment to make in the face of tracks such as 'Home Computer' and 'Computer Love' (not an ode to one-hand typing!). But to saddle the band with the reputation of sages is to completely miss the low-key wit and all-too-human playfulness of this album. 'Pocket Calculator' and 'Numbers' (the lyrics: numbers one to eight--period) could be ... |
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Cream Ibiza»rank: 2959par: Paul van Dyk
Chroniques et points de vue: essential recording:This is the album pundits like to point to when they accuse Kraftwerk of being digital-age visionaries; an all-too-easy assessment to make in the face of tracks such as 'Home Computer' and 'Computer Love' (not an ode to one-hand typing!). But to saddle the band with the reputation of sages is to completely miss the low-key wit and all-too-human playfulness of this album. 'Pocket Calculator' and 'Numbers' (the lyrics: numbers one to eight--period) could be ... |
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Apocalypso»rank: 917par: Presets
Chroniques et points de vue: essential recording:This is the album pundits like to point to when they accuse Kraftwerk of being digital-age visionaries; an all-too-easy assessment to make in the face of tracks such as 'Home Computer' and 'Computer Love' (not an ode to one-hand typing!). But to saddle the band with the reputation of sages is to completely miss the low-key wit and all-too-human playfulness of this album. 'Pocket Calculator' and 'Numbers' (the lyrics: numbers one to eight--period) could be ... |
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Dummy»rank: 103par: Portishead
Chroniques et points de vue:From Amazon.co.uk:The collaboration of studio whiz Geoff Barrow and singer Beth Gibbons, Dummy was made at the same time as a short film noir called To Kill a Dead Man, and the same approach--gloomy, tormented, and wildly melodramatic--permeates the album. 'Sour Times' (the hit in which Gibbons cries, again and again, 'Nobody loves me, it's true') and the more cryptic 'Glory Box' are the linchpins of the album, defining its sound: dark flashes of old soul and ... |
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Headhunters»rank: 7538par: Herbie Hancock
Chroniques et points de vue:From :Keyboardist Herbie Hancock's remarkable career took a surprising turn with this funk album--one of the first jazz albums to be certified gold. Hancock's already-storied career had included an extended tenure with Miles Davis as a member of both the classic quintet of the '60s and the trumpeter's groundbreaking electric dates. As a leader, the pianist had followed a similar course, cutting both outstanding acoustic dates (Maiden Voyage, Empyrean lsles) and experimental electric sessions (Sextant, Crossings). Head ... |
