Meilleures ventes > Musique > Indie Rock
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Automatic for the People»rank: 1052par: R.E.M.
Chroniques et points de vue:From Amazon.co.uk:Not quite as flawless as a masterpiece should be--what's the slight 'New 0rleans lnstrumental No. 1' doing among such remarkably grounded material?--Automatic For The People still deserves its reputation as one of REM's best. Another link in the band's chain of 90's classics, it hits each mood--the glum teen-spirit report of 'Drive', the sensual wash of 'Star Me Kitten' and the gorgeously transcendent 'Find The River,'--perfectly. Fittingly, Michael Stipe's lyrics are among his most coherent and ... |
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Honeysuckle Weeks»rank: 11933par: Submarines
Chroniques et points de vue:From Amazon.co.uk:Not quite as flawless as a masterpiece should be--what's the slight 'New 0rleans lnstrumental No. 1' doing among such remarkably grounded material?--Automatic For The People still deserves its reputation as one of REM's best. Another link in the band's chain of 90's classics, it hits each mood--the glum teen-spirit report of 'Drive', the sensual wash of 'Star Me Kitten' and the gorgeously transcendent 'Find The River,'--perfectly. Fittingly, Michael Stipe's lyrics are among his most coherent and ... |
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Devotion»rank: 1801par: Beach House
Chroniques et points de vue:From :Nothing much happens on the second album from this Baltimore, Maryland duo, but it all unfolds so beautifully you would be hard-pressed to complain. Using slow-motion rhythms, ghostly vocals and dreamy carnival organs in its attempt to pull together a set of vaporous melodies, the band comes up with a spellbinding collection of songs that in its best moments recalls the hazy wonder of dream-pop predecessors the Velvet Underground and Mazzy Star. Singer Victoria Legrand is ... |
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Dummy»rank: 103par: Portishead
Chroniques et points de vue:From Amazon.co.uk:The collaboration of studio whiz Geoff Barrow and singer Beth Gibbons, Dummy was made at the same time as a short film noir called To Kill a Dead Man, and the same approach--gloomy, tormented, and wildly melodramatic--permeates the album. 'Sour Times' (the hit in which Gibbons cries, again and again, 'Nobody loves me, it's true') and the more cryptic 'Glory Box' are the linchpins of the album, defining its sound: dark flashes of old soul and ... |
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Something For All Of Us»rank: 1815par: Brendan Canning
Chroniques et points de vue:From Amazon.co.uk:The collaboration of studio whiz Geoff Barrow and singer Beth Gibbons, Dummy was made at the same time as a short film noir called To Kill a Dead Man, and the same approach--gloomy, tormented, and wildly melodramatic--permeates the album. 'Sour Times' (the hit in which Gibbons cries, again and again, 'Nobody loves me, it's true') and the more cryptic 'Glory Box' are the linchpins of the album, defining its sound: dark flashes of old soul and ... |
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Food In The Belly»rank: 1208par: Xavier Rudd
Chroniques et points de vue:From Amazon.co.uk:The collaboration of studio whiz Geoff Barrow and singer Beth Gibbons, Dummy was made at the same time as a short film noir called To Kill a Dead Man, and the same approach--gloomy, tormented, and wildly melodramatic--permeates the album. 'Sour Times' (the hit in which Gibbons cries, again and again, 'Nobody loves me, it's true') and the more cryptic 'Glory Box' are the linchpins of the album, defining its sound: dark flashes of old soul and ... |
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Glory Hope Mountain»rank: 5088par: Acorn
Chroniques et points de vue:From Amazon.co.uk:The collaboration of studio whiz Geoff Barrow and singer Beth Gibbons, Dummy was made at the same time as a short film noir called To Kill a Dead Man, and the same approach--gloomy, tormented, and wildly melodramatic--permeates the album. 'Sour Times' (the hit in which Gibbons cries, again and again, 'Nobody loves me, it's true') and the more cryptic 'Glory Box' are the linchpins of the album, defining its sound: dark flashes of old soul and ... |
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Enter»rank: 17113par: Russian Circles
Chroniques et points de vue:From Amazon.co.uk:The collaboration of studio whiz Geoff Barrow and singer Beth Gibbons, Dummy was made at the same time as a short film noir called To Kill a Dead Man, and the same approach--gloomy, tormented, and wildly melodramatic--permeates the album. 'Sour Times' (the hit in which Gibbons cries, again and again, 'Nobody loves me, it's true') and the more cryptic 'Glory Box' are the linchpins of the album, defining its sound: dark flashes of old soul and ... |
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Colour The Small One»rank: 5937par: Sia
Chroniques et points de vue:From Amazon.co.uk:The collaboration of studio whiz Geoff Barrow and singer Beth Gibbons, Dummy was made at the same time as a short film noir called To Kill a Dead Man, and the same approach--gloomy, tormented, and wildly melodramatic--permeates the album. 'Sour Times' (the hit in which Gibbons cries, again and again, 'Nobody loves me, it's true') and the more cryptic 'Glory Box' are the linchpins of the album, defining its sound: dark flashes of old soul and ... |
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Elliot Smith»rank: 16348par: Elliot Smith
Chroniques et points de vue: essential recording:Recorded mildly better than his debut (Roman Candle on Cavity Search), the self-titled second solo album is one of the most understated and incredible albums to emerge from the indie-rock scene in the 1990s. With his nimble picking fingers behind him, Smith writes sad, little songs about drugs and romantic codependence that border on the obsessed. 'Needle in the Hay' and 'The White Lady Loves You More' are exemplary tunes that fuse the Beatles' pop ... |
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