Meilleures ventes > Musique > General
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Meilleures ventes > Musique > General
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Oh (Ohio)»rank: 3082par: Lambchop
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Sunshine Lies»rank: 2065par: Matthew Sweet
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Swordfishtrombones»rank: 1808par: Tom Waits
Chroniques et points de vue:From Amazon.co.uk:The first album of the loose trilogy that also includes Rain Dogs and Franks Wild Years, Swordfishtrombones marked a radical departure for Waits, whose avant-garde ambitions became plain not so much in his lyrics or subject matter--the songs here deal, as do his older albums, with hard life on the wrong side of the tracks and dreams of escape and transcendence--but in the music, a sound somewhere between German cabaret music from between the wars and contemporary Manhattan rush hour. 0dd time ... |
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Grace»rank: 1788par: Jeff Buckley
Chroniques et points de vue:From :Resembling at times a soft-sung Robert Plant, Buckley was an intuitive vocalist capable of dizzying arabesques and choir-boy sweetness. He is joined here by a tight band for 10 tracks highlighting his stylistic range--Pearl Jam bluesy on 'Eternal Life,' impossibly serene on Leonard Cohen's 'Hallelujah,' art-school noisy on 'So Real,' Led Zep daring on 'Mojo Pin.' Unorthodox, this was the debut of '94. --Jeff Bateman |
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Be Here Now»rank: 3754par: Oasis
Chroniques et points de vue:From :Resembling at times a soft-sung Robert Plant, Buckley was an intuitive vocalist capable of dizzying arabesques and choir-boy sweetness. He is joined here by a tight band for 10 tracks highlighting his stylistic range--Pearl Jam bluesy on 'Eternal Life,' impossibly serene on Leonard Cohen's 'Hallelujah,' art-school noisy on 'So Real,' Led Zep daring on 'Mojo Pin.' Unorthodox, this was the debut of '94. --Jeff Bateman |
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Provisions»rank: 5185par: Giant Sand
Chroniques et points de vue:From :Resembling at times a soft-sung Robert Plant, Buckley was an intuitive vocalist capable of dizzying arabesques and choir-boy sweetness. He is joined here by a tight band for 10 tracks highlighting his stylistic range--Pearl Jam bluesy on 'Eternal Life,' impossibly serene on Leonard Cohen's 'Hallelujah,' art-school noisy on 'So Real,' Led Zep daring on 'Mojo Pin.' Unorthodox, this was the debut of '94. --Jeff Bateman |
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Black Holes and Revelations»rank: 366par: Muse
Chroniques et points de vue:From :Resembling at times a soft-sung Robert Plant, Buckley was an intuitive vocalist capable of dizzying arabesques and choir-boy sweetness. He is joined here by a tight band for 10 tracks highlighting his stylistic range--Pearl Jam bluesy on 'Eternal Life,' impossibly serene on Leonard Cohen's 'Hallelujah,' art-school noisy on 'So Real,' Led Zep daring on 'Mojo Pin.' Unorthodox, this was the debut of '94. --Jeff Bateman |
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Rhumb Line»rank: 1277par: Ra Ra Riot
Chroniques et points de vue:From :Resembling at times a soft-sung Robert Plant, Buckley was an intuitive vocalist capable of dizzying arabesques and choir-boy sweetness. He is joined here by a tight band for 10 tracks highlighting his stylistic range--Pearl Jam bluesy on 'Eternal Life,' impossibly serene on Leonard Cohen's 'Hallelujah,' art-school noisy on 'So Real,' Led Zep daring on 'Mojo Pin.' Unorthodox, this was the debut of '94. --Jeff Bateman |
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Violator»rank: 2774par: Depeche Mode
Chroniques et points de vue: essential recording:Violator is Depeche Mode's most mainstream, chart-climbing album. Although it contains only nine tracks, half of them are tailor-made for the dance floor. This album was conceived when dance-club DJs were gaining recognition alongside original composers. Heavily influenced by techno-pop, the singles 'Policy of Truth,' 'Enjoy the Silence,' and 'World in My Eyes' prove that DM did their homework. A particular highlight on this fantastic album is the bluesy guitar line Martin Gore lays down on top of the synth-dominated grooves ... |
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How To Walk Away»rank: 4669par: Juliana Hatfield
Chroniques et points de vue: essential recording:Violator is Depeche Mode's most mainstream, chart-climbing album. Although it contains only nine tracks, half of them are tailor-made for the dance floor. This album was conceived when dance-club DJs were gaining recognition alongside original composers. Heavily influenced by techno-pop, the singles 'Policy of Truth,' 'Enjoy the Silence,' and 'World in My Eyes' prove that DM did their homework. A particular highlight on this fantastic album is the bluesy guitar line Martin Gore lays down on top of the synth-dominated grooves ... |
