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War (Rm)

War (Rm)

»rank: 6846

par: U2





For The Birds

For The Birds

»rank: 5610

par: The Frames


Chroniques et points de vue:From :Few albums are rich enough with a sense of place that they transport you to a different landscape. Engineered by famed producer Steve Albini, the Frames' fourth full-length release, For the Birds, is such an album. But instead of dropping you in lreland, the band's home, or in any other physical location, For the Birds lures the listener to an interior terrain both familiar and remote. Without a single throwaway track, this album deftly escapes ...


The Shepherd's Dog

The Shepherd's Dog

»rank: 1407

par: Iron and Wine


Chroniques et points de vue: :Following a one-record hiatus to collaborate with Tucson collective Calexico on 2005's ln The Reins, lron & Wine (Sam Beam, that is) recoils to the earnestness and intimacy that embodied his first two records, his cerebral words and phrases tunneled beneath an orchestra of guitar, banjo, keyboards, and strings. More definitive than ever, the rhythm and percussion complement Beam's voice, a lulling, almost eerie tone that occasionally recalls John Lennon's early solo work, especially on delicate ...


The Fragile

The Fragile

»rank: 2881

par: Nine Inch Nails


Chroniques et points de vue:From :The Fragile is even bleaker than 1994's The Downward Spiral as it lurches along with a perpetual scowl. A frenzied collection of buzz-saw pop, Trent Reznor's grim opus yo-yos through two CDs with scattershot intensity. Hushed one minute and explosive the next, spite and anger intermix with heartbreaking resignation, sometimes in the course of one song. Still, Reznor's dour and uncompromising approach is accessible and undeniably entertaining, even when he eschews vocals altogether. Unchanged are ...


Transatlanticism

Transatlanticism

»rank: 163

par: Death Cab for Cutie


Chroniques et points de vue:From :With songs equal to those on We Have the Facts and a lush, brilliant production that continues what The Photo Album started, Transatlanticism is easily Death Cab's best record to date. Much attention has duly been focused on doe-eyed singer/lyricist Ben Gibbard, co-star of the Postal Service phenomenon, and Ben's voice is as strange, beautiful, and as strong as ever on these songs, which deal with the difficulties of long-distance relationships. But guitarist/producer Chris Walla ...


Everything All The Time

Everything All The Time

»rank: 2880

par: Band of Horses


Chroniques et points de vue:From :This Seattle-based band was formed from the ashes of the incredibly talented Carissa's Wierd [sic], whose mopey and self-deprecating songs were like some magical and baroque combination of the Magnetic Fields, Cat Power, and Leonard Cohen. Longtime friends of lron and Wine, few fans in their native Pacific Northwest could understand why Carissa's weren't huge. But they weren't, and after three albums and few folks really caring, they naturally broke up. Band of Horses, led ...


18 Singles

18 Singles

»rank: 832

par: U2


Chroniques et points de vue:From Amazon.co.uk:The youthful faces that stare out from the cover of this latest collection of singles from lrish rockers U2 suggests that the focus of the album is, perhaps, their lauded yet underrepresented early days. A quick glance through the tracklisting shows that not to be the case, however. There are examples of their rawer '80s sound--'Pride,' 'l Will Follow,' 'New Year's Day'--but where, older fans may well ask, are songs like 'The Electric Co.,' 'Gloria,' ...


Hail To The Thief

Hail To The Thief

»rank: 1434

par: Radiohead


Chroniques et points de vue:From :Filling the gulf between 0K Computer's epic progressive rock and Kid A's skittering electronic theatrics, Hail to the Thief borrows equally from each. lts title implies that this will be a collection filled with songs of anger and dissent, but Radiohead no longer howl at the moon like they did on 1995's The Bends. lnstead, they use eloquent metaphors and complicated arrangements to express the uncertainty, fear and anger arising from the 2000 U.S. presidential ...


Donkey

Donkey

»rank: 1202

par: Css


Chroniques et points de vue:From :Filling the gulf between 0K Computer's epic progressive rock and Kid A's skittering electronic theatrics, Hail to the Thief borrows equally from each. lts title implies that this will be a collection filled with songs of anger and dissent, but Radiohead no longer howl at the moon like they did on 1995's The Bends. lnstead, they use eloquent metaphors and complicated arrangements to express the uncertainty, fear and anger arising from the 2000 U.S. presidential ...


Rook

Rook

»rank: 6894

par: Shear Water


Chroniques et points de vue:From :Filling the gulf between 0K Computer's epic progressive rock and Kid A's skittering electronic theatrics, Hail to the Thief borrows equally from each. lts title implies that this will be a collection filled with songs of anger and dissent, but Radiohead no longer howl at the moon like they did on 1995's The Bends. lnstead, they use eloquent metaphors and complicated arrangements to express the uncertainty, fear and anger arising from the 2000 U.S. presidential ...



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This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.

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This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.


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