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Siamese Dream

Siamese Dream

»rank: 7496

par: Smashing Pumpkins


Chroniques et points de vue: essential recording:An introductory drum roll drops out and is replaced by a single suspended electric guitar, which is then paralleled by a snare, filled in with the bass, and--crash!--'Cherub Rock,' the opening track, is enveloped in an explosion of metal guitar. So the journey begins. This album is pre-experimentation vintage Pumpkins. Produced by Butch Vig (Garbage, Sonic Youth, Nirvana's Nevermind), Siamese Dream is first about guitars. Lots and lots of guitars. A very close ...


Tepid Peppermint Wonderland

Tepid Peppermint Wonderland

»rank: 9247

par: Brian Jonestown Massacre


Chroniques et points de vue: essential recording:An introductory drum roll drops out and is replaced by a single suspended electric guitar, which is then paralleled by a snare, filled in with the bass, and--crash!--'Cherub Rock,' the opening track, is enveloped in an explosion of metal guitar. So the journey begins. This album is pre-experimentation vintage Pumpkins. Produced by Butch Vig (Garbage, Sonic Youth, Nirvana's Nevermind), Siamese Dream is first about guitars. Lots and lots of guitars. A very close ...


In Absentia (Dts) (DVD Audio)

In Absentia (Dts) (DVD Audio)

»rank: 4247

par: Porcupine Tree


Chroniques et points de vue:From :After a quarter-century of punk and postmodern excesses, it's always something of a surprise to find young musicians who not only recall a past era's musical indulgences, but also revel in them. This Lava Records debut is the latest fruit of Porcupine Tree mainstay Steven Wilson's obsession with prog, a mania that dates to the late '80s when the 'band' was little more than a fantasy, though one with a remarkably imaginative--if entirely fictional--history ...


Coral Sea

Coral Sea

»rank: 14711

par: Patti Smith, Kevin Shields


Chroniques et points de vue:From :After a quarter-century of punk and postmodern excesses, it's always something of a surprise to find young musicians who not only recall a past era's musical indulgences, but also revel in them. This Lava Records debut is the latest fruit of Porcupine Tree mainstay Steven Wilson's obsession with prog, a mania that dates to the late '80s when the 'band' was little more than a fantasy, though one with a remarkably imaginative--if entirely fictional--history ...


Satanic Panic In The Attic

Satanic Panic In The Attic

»rank: 13709

par: Of Montreal


Chroniques et points de vue:From :After a quarter-century of punk and postmodern excesses, it's always something of a surprise to find young musicians who not only recall a past era's musical indulgences, but also revel in them. This Lava Records debut is the latest fruit of Porcupine Tree mainstay Steven Wilson's obsession with prog, a mania that dates to the late '80s when the 'band' was little more than a fantasy, though one with a remarkably imaginative--if entirely fictional--history ...


Good News For People Who Love

Good News For People Who Love

»rank: 3052

par: Modest Mouse


Chroniques et points de vue:From :lt's hard to pinpoint the exact moment Modest Mouse started sounding like a real band. For the longest time, singer-songwriter lsaac Brock seemed to exist solely to defy the established rules, forging forward on sheer momentum and ingenuity. Even Pavement looked relatively ordinary in comparison to the band's early releases like 1996's This ls A Long Drive For Someone With Nothing To Think About and 1997's The Lonesome Crowded West. But on Good News ...


Disciplined Break..

Disciplined Break..

»rank: 10132

par: Collective Soul


Chroniques et points de vue:From :lt's hard to pinpoint the exact moment Modest Mouse started sounding like a real band. For the longest time, singer-songwriter lsaac Brock seemed to exist solely to defy the established rules, forging forward on sheer momentum and ingenuity. Even Pavement looked relatively ordinary in comparison to the band's early releases like 1996's This ls A Long Drive For Someone With Nothing To Think About and 1997's The Lonesome Crowded West. But on Good News ...


Future Days

Future Days

»rank: 6547

par: Can


Chroniques et points de vue:From :lt's hard to pinpoint the exact moment Modest Mouse started sounding like a real band. For the longest time, singer-songwriter lsaac Brock seemed to exist solely to defy the established rules, forging forward on sheer momentum and ingenuity. Even Pavement looked relatively ordinary in comparison to the band's early releases like 1996's This ls A Long Drive For Someone With Nothing To Think About and 1997's The Lonesome Crowded West. But on Good News ...


Meteora

Meteora

»rank: 121

par: Linkin Park


Chroniques et points de vue:From :Linkin Park's second studio effort (not counting the 2002 remix album Reanimation) overflows with glossy production values and Big Rock oomph, fully embracing the pop instincts of their Hybrid Theory debut. For many, Theory sounded inexcusably corporate, from its too-timely rap-rock sound to the long list of product endorsements included in the liner notes. Meteora will only amplify those complaints, but this album is actually truer to the band's nature. lt's still impossible not ...


Superfuzzbigmuff (Dlx Ed)

Superfuzzbigmuff (Dlx Ed)

»rank: 8071

par: Mudhoney


Chroniques et points de vue:From :Linkin Park's second studio effort (not counting the 2002 remix album Reanimation) overflows with glossy production values and Big Rock oomph, fully embracing the pop instincts of their Hybrid Theory debut. For many, Theory sounded inexcusably corporate, from its too-timely rap-rock sound to the long list of product endorsements included in the liner notes. Meteora will only amplify those complaints, but this album is actually truer to the band's nature. lt's still impossible not ...



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We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.

The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?

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Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.

This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.


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