Musique : Rechercher |
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Bristol»rank:par: Ginny Hawker & Kay Justice
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Modern Electro»rank:par: Justice
Chroniques et points de vue:From Amazon.co.uk:Modern Retro is another declaration of drum & bass independence from Tony Bowes' Luton studio. Three new tracks and a range of material previously only available on vinyl are supplemented by remixes from Matrix, Paradox and long-time spar DJ Pulse. ln addition to the classic Detroit-tinged, minimal breakbeat we've come to expect--melodic touches sparkling through the melancholic synth arrangements of 'City Flyer' and 'Future Dome'--the LP offers the first taste of Bowes' new Milestones project in the form of glitched beat revisit to the Danoyd vocalled 'Wack MC's'. --Kingsley ... |
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Hears to the Future»rank:par: Justice
Chroniques et points de vue:From Amazon.co.uk:From early material on the White House label in the early nineties through to recording for Moving Shadow, Creative Wax and Partisan, Tony Bowes has been nothing if not prolific and Hears to the Future continues the same high standard. The establishment of his own imprint back in 1995 brought critical acclaim and serious dub plate attention, with his Emotions With lntellect (recorded with fellow Lutonian Blame) cited by many as a seminal moment within drum and bass, catching the oft-quoted jazz and hip hop influences of the time ... |
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Poetic Justice»rank:par: Poetic Justice
Chroniques et points de vue:From Amazon.co.uk:From early material on the White House label in the early nineties through to recording for Moving Shadow, Creative Wax and Partisan, Tony Bowes has been nothing if not prolific and Hears to the Future continues the same high standard. The establishment of his own imprint back in 1995 brought critical acclaim and serious dub plate attention, with his Emotions With lntellect (recorded with fellow Lutonian Blame) cited by many as a seminal moment within drum and bass, catching the oft-quoted jazz and hip hop influences of the time ... |
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Spanish Harlem»rank:par: Jimmy Justice
Chroniques et points de vue:From Amazon.co.uk:From early material on the White House label in the early nineties through to recording for Moving Shadow, Creative Wax and Partisan, Tony Bowes has been nothing if not prolific and Hears to the Future continues the same high standard. The establishment of his own imprint back in 1995 brought critical acclaim and serious dub plate attention, with his Emotions With lntellect (recorded with fellow Lutonian Blame) cited by many as a seminal moment within drum and bass, catching the oft-quoted jazz and hip hop influences of the time ... |
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Viewpoints»rank:par: Justice
Chroniques et points de vue:From Amazon.co.uk:From early material on the White House label in the early nineties through to recording for Moving Shadow, Creative Wax and Partisan, Tony Bowes has been nothing if not prolific and Hears to the Future continues the same high standard. The establishment of his own imprint back in 1995 brought critical acclaim and serious dub plate attention, with his Emotions With lntellect (recorded with fellow Lutonian Blame) cited by many as a seminal moment within drum and bass, catching the oft-quoted jazz and hip hop influences of the time ... |
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Rooftop Soundcheck»rank:par: Justice System
Chroniques et points de vue:From Amazon.co.uk:From early material on the White House label in the early nineties through to recording for Moving Shadow, Creative Wax and Partisan, Tony Bowes has been nothing if not prolific and Hears to the Future continues the same high standard. The establishment of his own imprint back in 1995 brought critical acclaim and serious dub plate attention, with his Emotions With lntellect (recorded with fellow Lutonian Blame) cited by many as a seminal moment within drum and bass, catching the oft-quoted jazz and hip hop influences of the time ... |
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Come All You Tenderhearted»rank:par: Ginny Hawker & Kay Justice
Chroniques et points de vue:From Amazon.co.uk:From early material on the White House label in the early nineties through to recording for Moving Shadow, Creative Wax and Partisan, Tony Bowes has been nothing if not prolific and Hears to the Future continues the same high standard. The establishment of his own imprint back in 1995 brought critical acclaim and serious dub plate attention, with his Emotions With lntellect (recorded with fellow Lutonian Blame) cited by many as a seminal moment within drum and bass, catching the oft-quoted jazz and hip hop influences of the time ... |
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Best Of (W/9 Prev Unrel Tracks»rank: 119212par: Lone Justice
Chroniques et points de vue:From :This World ls Not My Home weds seven songs from Lone Justice's two albums (issued in 1985 and 1986) with 10 previously unreleased tracks. 0f these 10, eight predate the 1985 breakup in which guitarist Ryan Hedgecock, bassist Marvin Etzioni, and drummer Don Heffington split from lead vocalist Maria McKee. That's a good thing, because the initial lineup easily outshone the too-smooth studio pros who replaced them. Souped-up covers of the traditional 'Rattlesnake Mama' and Merle Haggard's 'Working Man Blues,' both recorded in 1983, lay bare the band's roots ... |
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Breaking the Silence»rank: 119212par: Dance Floor Justice
Chroniques et points de vue:From :This World ls Not My Home weds seven songs from Lone Justice's two albums (issued in 1985 and 1986) with 10 previously unreleased tracks. 0f these 10, eight predate the 1985 breakup in which guitarist Ryan Hedgecock, bassist Marvin Etzioni, and drummer Don Heffington split from lead vocalist Maria McKee. That's a good thing, because the initial lineup easily outshone the too-smooth studio pros who replaced them. Souped-up covers of the traditional 'Rattlesnake Mama' and Merle Haggard's 'Working Man Blues,' both recorded in 1983, lay bare the band's roots ... |