Musique : Rechercher |
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Musique : Rechercher |
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Blue Memphis Suite»rank: 19853par: Memphis Slim
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Real Folk Blues»rank: 31748par: Memphis Slim
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Memphis Slim»rank: 31748par: Memphis Slim
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Queen of the Delta Blues, Vol. 2»rank: 36877par: Memphis Minnie
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Columbias 1923-1931»rank: 36877par: The Original Memphis Five
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Hoodoo Lady»rank: 35101par: Memphis Minnie
Chroniques et points de vue:From :True to her billing ('plays guitar like a man'), Minnie held her own in a genre dominated by male artists. She had a gutsy voice and a no-nonsense guitar style. These 20 prime cuts were done in Chicago for the Vocalion and ARC labels. Recorded in the late '30s, many contain small band accompaniment that included Charlie McCoy's dynamic mandolin as well as legendary pianists Blind John Davis and Black Bob. Two cuts, 'Please Don't Stop Him' and 'l'm Going Don't You Know,' feature Arnett Nelson's smooth ... |
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At The Gate Of Horn»rank: 76034par: Memphis Slim
Chroniques et points de vue:From :True to her billing ('plays guitar like a man'), Minnie held her own in a genre dominated by male artists. She had a gutsy voice and a no-nonsense guitar style. These 20 prime cuts were done in Chicago for the Vocalion and ARC labels. Recorded in the late '30s, many contain small band accompaniment that included Charlie McCoy's dynamic mandolin as well as legendary pianists Blind John Davis and Black Bob. Two cuts, 'Please Don't Stop Him' and 'l'm Going Don't You Know,' feature Arnett Nelson's smooth ... |
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Blues Biography»rank: 76034par: Memphis Slim
Chroniques et points de vue:From :True to her billing ('plays guitar like a man'), Minnie held her own in a genre dominated by male artists. She had a gutsy voice and a no-nonsense guitar style. These 20 prime cuts were done in Chicago for the Vocalion and ARC labels. Recorded in the late '30s, many contain small band accompaniment that included Charlie McCoy's dynamic mandolin as well as legendary pianists Blind John Davis and Black Bob. Two cuts, 'Please Don't Stop Him' and 'l'm Going Don't You Know,' feature Arnett Nelson's smooth ... |
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Folks, He Sure Do Pull Some Bow! Vintage Fiddle Music 1927-1935: Blues, Jazz, Stomps, Shuffles & Rags»rank: 76034par: Big Bill Broonzy, Charlie Pierce, Andrew Baxter, Clifford Hayes, Bubbling-Over Five, Memphis Jug Band, Mississippi Sheiks, Peg Leg Howell, Frank Stokes, Big Joe Williams
Chroniques et points de vue:From :A fantastic collection of old-time music, 'Folks, He Sure Do Pull Some Bow!' captures vintage fiddle music at that rare crossroads where the blues, jazz, and something that would one day be called folk were all in their infancy. For fiddle virtuosos performing between 1927 and 1935, quite simply, anything goes. Banjo lkey Robinson's red hot 'My Four Reasons' swings with humor and pizzazz, the State Street Boys' 'Rustlin' Man' features the down-and-out blues vocals and fiddling of Big Bill Broonzy , and the Mississippi Sheiks' jazzy, ... |
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Hard Knock Life: Remixes (2 Tr»rank: 70906par: Jay-Z, Beanie Siegel, Memphis Bleek, DMX
Chroniques et points de vue:From :A fantastic collection of old-time music, 'Folks, He Sure Do Pull Some Bow!' captures vintage fiddle music at that rare crossroads where the blues, jazz, and something that would one day be called folk were all in their infancy. For fiddle virtuosos performing between 1927 and 1935, quite simply, anything goes. Banjo lkey Robinson's red hot 'My Four Reasons' swings with humor and pizzazz, the State Street Boys' 'Rustlin' Man' features the down-and-out blues vocals and fiddling of Big Bill Broonzy , and the Mississippi Sheiks' jazzy, ... |
