Musique : Lift Your Skinny Fists Like An

Musique : Lift Your Skinny Fists Like An

Lift Your Skinny Fists Like An

par: Godspeed You Black Emperor!



Lift Your Skinny Fists Like An
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Prix: CDN$ 20.99
Les prix peuvent variés.

Note moyenne:  out of 5 stars
Sales Rank: 5138







Binding: Audio CD
EAN: 7964418043208
Label: Kranky
Manufacturer: Kranky
Number Of Discs: 2
Publisher: Kranky
Release Date: août 01, 2000
Sales Rank: 5138
Studio: Kranky









Chroniques et points de vue:

Un incontournable québécois:
C'est loin des projecteurs que Godspeed You Black Emperor ! a concocté Lift Your Skinny Fists…, un impressionnant enregistrement post-rock qui a voyagé discrètement mais sûrement autour du globe. 0n y trouve un travail des atmosphères qui séduit autant qu'il commotionne.

From :
Canada's Godspeed You Black Emperor raise the ante on their already ambitious orchestral rock by releasing a double CD of material as their second full-length album. The group combines the drums and guitar of typical rock-band instrumentation with horns and strings to create a music built around drones and slowly evolving melodic figures. lt rises and falls from delicate introductory passages to unabashed grand climaxes. Their juxtaposition of drums with violins and lush romantic tonality brings to mind Rachel's, but their compositional scale and the pounding repetitive intensity of their dynamic peaks evoke Glenn Branca's The Ascension. Although the two discs are indexed at only two 21-minute tracks each, the package includes a handy road map to the movements into which each is subdivided. The opening piece starts with five minutes of a 15-beat circular melodic pattern that is gradually embellished as the volume swells to an ecstatic roar. The release drops down to a pastoral drone that rebuilds to support an acid-etched guitar solo, which in turn yields to a unified 4/4 kraut rock pound that eventually explodes, leaving behind field recordings of public announcements mingled with wandering late-night Swell Maps piano. The other pieces use a similar set of sonic building blocks to take the listener on comparable journeys. Fans of Godspeed's previous work will be very happy, and the curious might want to hop on board as well. --Bob Bannister

Amazon.ca:
Godspeed You Black Emperor! récidive avec son rock instrumental somptueux et ses paysages musicaux enveloppants dans sa troisième production, Levez vos skinny fists comme antennas to heaven!. Le collectif montréalais – deux batteries, deux basses, trois guitares, un violon et un violoncelle – livre ici un disque double où l'expérimentation sonore, parfois proche du bruitage, se fait plus présente, l'orchestration encore plus riche, la charge émotive toujours puissante.

Les quatre morceaux, d'une vingtaine de minutes chacun, sont divisés en sections qui s'enchaînent à la manière des mouvements d'une symphonie. À partir d'un motif répété en sourdine, Godspeed échafaude de lancinants crescendos, qui aspirent inéluctablement l'auditeur dans des tourbillons de guitares bourdonnantes et de percussions appuyées. La tempête finit par s'apaiser, mais la quiétude cède bientôt le pas à l'intervention lyrique des cordes, à l'irruption solennelle des cuivres, à l'orage affolant des guitares.

Les compositions quasi filmiques du groupe incorporent des voix, captées hors du studio, qui donnent à l'ensemble un incroyable pouvoir d'évocation. lci, un vieil homme se remémore le paradis de sa jeunesse, Coney lsland ; là, un duo de glockenspiel débouche sur des comptines d'enfants, comme autant d'hommages à l'innocence dans un monde en décrépitude. Une sorte d'espérance obstinée, de foi enragée, affleure, malgré les ambiances angoissantes qui baignent l'album. Levez vos skinny fists comme antennas to heaven! est une bouleversante invitation au rêve et au cauchemar de la part d'un groupe qui échappe aux comparaisons. --Noémi Mercier









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L'avis des consommateurs
Note moyenne:  out of 5 stars

Note: 5 out of 5 stars - Godspeed's best?
This was the third GYBE! album I bought (I still don't have Slow Riot), and I don't know why I put it off. This is my favorite album of theirs, and many fans will agree that it's their best.

Although I enjoy all of the tracks, "Static" is my favorite. I remember playing the album for the first time, and hearing the "World Police And Friendly Fire" section of "Static". It was so haunting/bad ass.

Buy this now unless you are an idiot who shops at Hot Topic and can't sit through 20+ minute songs without being bored.



Note: 5 out of 5 stars - deserves 100 stars
Your Mom and Dad don't like this music. So you know it's good.

The future.



Note: 5 out of 5 stars - * Addictive ...
I have a confession to make. I wrote a smug, ignorant review of Explosions in the Sky's thoroughly enjoyable disc, Earth Is Not a Cold Dead Place, thinking I could finesse my lack of knowledge about the music contained therein and its antecedents without consequence--kinda just wow everybody with nuanced disdain, calling it, for example, "aural mind candy." That was unfair.

Consequently, I got royally drubbed by the Amazon reading and rating community. And rightly so.

So, I decided to encounter this strange music called post-rock to see if I could set aside prejudice and condescension and engage it on its own terms. This review constitutes my first endeavor vis-à-vis this project.

The first thing that strikes me about GY!BE is their poignant melancholy. This is a band that has learned how to evoke grandeur amid the sadness of our (post)modern world. Their main strategy is to build achingly beautiful soundscapes out of rather simple melodic and rhythmic material by a strategy of layering, repetition, and a series of tension/resolution, dissonant/climax moves. This lends the music a very attractive mesmeric, almost Gnostic, sensibility. For me, it matters not whether it has any real substance; the aural glories it comes wrapped in lend it a kind of iconographic power seldom found in pop music. Thus, it is wrong to call it "mind candy." Yes, it is elegant and legerdemainic per se. That doesn't mean it's trivial. It proceeds from and operates out of a very specific postmodern narrative imbued with glorious sorrow (earned or "lifted," I don't think it really matters) that for me is entirely compelling, even if it can't be absolutely intellectually sustained. Its ephemerality is part of its attraction. There's a certain naïve purity that lends it even greater cachet. Besides, from a strictly aural standpoint, it has a kind of overwhelming force--cyclonic, chthonic, Dionysian--that cannot be gainsaid: Camille Paglia transposed into a pop-music key.

The second thing that strikes me about this band is their utter uncommerciality. Could there be such a thing as the uncommerical commercial? Yes, the plague of the entire underground or alternative rock movement; Kurt Cobain's suicide being only the most visible paradox of such goings-on. That is, what happens, what do you do, when your underground movement becomes above-ground, becomes the norm? How to prevent co-option? A tough question. One that U2 solved with the release of All That You Can't Leave Behind after the self-parody of Zooropa. One that, perhaps, GY!BE will have to confront if they get too popular. In the meantime, they pursue their quirky vision, expanded to include A Silver Mt. Zion.

Finally, I hear this band (or at least certain members) espouse ultra-radical politics. I have little doubt these would be reprehensible to me, a Neo-Con Catholic Christian. But you know what? I don't care. I've never gotten my religion or politics from pop culture, be it Joan Baez, Barbra Streisand, Clint Eastwood, or Arnold Schwarzenegger. I think Dave Douglas's armchair liberalism is just this side of loony. And Charlie Haden is a benighted fool. But I don't listen to them (and I DO listen to them both) because they're political geniuses. I listen to them because they're MUSICAL geniuses. And so are GY!BE. If alienation is what floats their boat, more power to 'em. I can dig their music without digging their politics. Besides, it evokes a side of contemporary experience that is entirely legitimate--the alienation and disgust provoked by globalization, multinationalism, and the McDonaldization of the world.

So I eagerly look forward to my ongoing journey into the, admittedly, arcane world of post-rock. Perhaps I'll be sending more dispatches from the front. I don't know. In the meantime, I'll simply bask in the glories of Lift Your Skinny Fists . . .



Note: 5 out of 5 stars - This so called "post-rock" is at its best with this...
I have all of Godspeed You! Black Emperor's work (including side-projects) from F#A# infinity to U.X.O. and "Lift yr. skinny fists like antennas to heaven" is certainly the best. while its not as organized as F#A# infinity. "lift yr. skinny fists..." offers two discs, four songs. 87 minutes of amazing ambience, classical, streaming rock-guitars. the album is overall flat-out amazing, especially disk one! some of the best music i've ever heard. disk two is great also, with some of the best drums i've ever heard in "Antennas to Heaven". This is one of my favourite albums ever and if you don't have it -- buy it!! what? does this not influence you? well, i have over 200 albums from the '50s all the way to present time. if i were to make a list of my top five favourite records of all-time. "Lift yr. skinny fists like antennas to heaven" would be on that list. But if you are just getting into Godspeed You! Black Emperor... check out them in order of their albums. F#A# infinity [1998], Slow Riot For New Zero Kanada EP [1999], Lift Yr. Skinny Fists Like Antennas to Heaven [2000], Yanqui U.X.O. [2002].

best song on "Lift yr. skinny fists like antennas to heaven" from best to worst (though there is no bad track).
1. Storm
2. Static
3. Antennas to Heaven
4. Sleep

Lift yr. skinny fists like antennas to heaven is one of the greatest albums of all-time and your collection is not good enough if you do not own this recording.



Note: 5 out of 5 stars - * C'est comme le fin du monde...... ...
If ever the apocalypse needed a soundtrack to go along with it, a dirge to mock the end of the world, I think this album would be it. There's just something inexplicable about it that seems unutterably bleak to me. I suppose one might expect bleakness coming from a group of Montrealers described as an "anarchist music collective", a group whose primary mouthpiece, a man known only as Efrim, is completely unapologetic about his political views (to the point that the band rarely speaks to the press). But there is beauty amid all the cynicism, if you're willing to look. GYBE! uses a soft-crescendo-loud dynamic similar to that employed by Mogwai and Yume Bitsu, but I find their music much more nuanced than that of either of these two bands. "Lift Your Skinny Fists" and "Gathering Storm", which comprise the bulk of the opening of the album, are some of the most powerful and expressive music I've ever heard, building and building to two shimmering climaxes. "Cancer Towers on Holy Road Highway" creates almost unbearable tension with its frenetic string section. The album is sprinkled liberally with sampled voices that seem to float out of the ether, like a recorded message fron an Arco AM/PM at Los Angeles Airport and singing French Canadian school children. And it can surprise you when you least expect it too - the chaos subsiding for a moment, replaced by a beautiful and delicate chiming ("a glockenspiel duet", according to the liner notes). "Lift Your Skinny Fists" is one of my favorites of all time. All music should be this good.



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Camping Equipment equipment


Alienware's flagship gaming laptop, the Area-51 m9750, has plenty of appeal for high-end gamers, but the alien head aesthetic seems dated, and newer components are right around the corner.

The rise and fall of muni-Fi (and rise again): Clearly, the largest story involving Wi-Fi in 2007 was the at-first continued growth in cities awarding contracts with no money involved on their part to have service providers build Wi-Fi networks--and the subsequent failure of these networks to be built. Starting quietly in late 2006, the market shifted for metro-scale Wi-Fi. During 2007, providers decided that bearing the full cost of a city-wide network without city contracts wasn't financially sensible.

The full scope of the low uptake rates in cities that had large portions of the network built out also became clear: rather than 15 to 35 percent of residents subscribing, just a few percentage points would put a network in the top tier. Revenue is apparently also pretty minimal even in cities like Taipei, Taiwan, the network provider for which was predicting 250,000 subscribers by the end of 2006, and had just 30,000 regular users each month at last public report in early 2007.

MetroFi started to tell cities that without an advance service commitment at a minimum level -- an anchor tenancy -- the company couldn't proceed on networks. In 2007, MetroFi lost half a dozen bids or saw contracts canceled due to this change. Its work in Portland, Ore., the biggest network it was building, won't be extended beyond current limited dimensions until additional capital or a city commitment is obtained; the city has said it won't commit to service fees, however.

Meanwhile, EarthLink lost its CEO Garry Betty in January due to cancer. A strong backer of new initiatives to change EarthLink's core business, his death was certainly one of the causes in a quick re-evaluation of the municipal wireless division. New CEO Rolla Huff pulled EarthLink out of new deals, suspended existing ones, laid off hundreds of employees while gutting the metro Wi-Fi division, and appears poised to leave currently built or underway networks, including their flagship Philadelphia effort. They may sell the division, but it's hard to see much worth in it given the current state.

In a smaller bit of news, Kite Networks, formerly known by various names, was sold by parent MobilePro to Gobility with conditions that according to SEC filings by MobilePro weren't met. Kite was once high flying, in the company of EarthLink and MetroFi as one of the major U.S. Wi-Fi network builders. Now it's still in that company, with work on its Arizona networks apparently halted. A suitor has emerged in the form of a regional telecom that specializes in the Hispanophone market (double entendre intended), and which thinks it could boost Tempe subscriptions from the current several hundred to about 300 times that number. Hope springs eternal.

And while AT&T was able to launch a Riverside, Calif., network with MetroFi handling the installation and operation, it backed out of St. Louis, Mo., due to a utility pole problem, and the bidding in Chicago, too. The Metro Connect consortiums in Sacramento and Silcion Valley were unable to raise financing despite the apparent blue-chip participation by Cisco, IBM, and Intel.

County-wide Wi-Fi was also hit again and again by providers who pulled out--CenturyTel in Pierce County, Wash., for instance--or problems with technology or utility poles. In a few scattered areas, Wi-Fi across counties has been built out, but it's not an idea whose time has yet come.

Muni-Fi isn't down for the count. While these high-profile networks in large cities and county-wide networks have mostly hit the skids, more modest networks with well-defined goals continue to be built with a focus on public safety and municipal uses in hundreds of small and medium-sized towns. Brookline, Mass., may be a good example, in which a public safety/public access network was built relatively quickly and with no reported problems.

And there's one big city success story: Minneapolis, Minn. While local provider US Internet wound up spending more than they'd intended, reports from the ground indicate that service works quite well, and subscriptions and interest are quite high. The company was able to respond almost instantly to the bridge collapse a few months ago by deploying additional mesh infrastructure to add network capacity in the area. And it says that it could reach positive cash flow in early 2008. One of their advantages? They secured a substantial commitment from the city for the services they built.

Other trends of the year gone by: Music and Wi-Fi are clearly more aligned, with the new Zune models and firmware from Microsoft allowing wireless sync (but not yet Wi-Fi purchases), and the introduction of both the Apple iPhone and iTunes touch, which allow music purchases over Wi-Fi but not synchronization. (While the MusicGremlin preceded both the Zune and iPhone/iPod options, it didn't seem to gain any market traction in 2007.)

Security continues to be a concern in 2007, although less of one as home users have clearly accepted WPA Personal, at long last, and networks are increasingly encrypted through better software from major hardware manufacturers. Wizards make encryption a no-brainer, when they work. Corporations stung by reports and by requirements from credit card issuers are also clearly protecting their networks better, although I'm sure we'll still see breaches at those firms that didn't cross every "t."

The 802.11n standard's emergence into an interim certified Wi-Fi state was also a significant milestone for faster wireless networking. Shipments of Draft 802.11n products in 2007 increased significantly, while prices dropped so much that it makes perfect sense to purchase a $50 to $80 Draft N router than a comparable G unit. Manufacturers made it clear as the year progressed that hardware sold today should generally be firmware upgradable to whatever the final, not much changed 802.11n standard is when approved in 2008.

Gadget-Fi continued on the rise, as an increasing array of devices included Wi-Fi as a connectivity option. Most notably, T-Mobile launched its HotSpot@Home service, the largest scale offering of converged cell/Wi-Fi calling. By year's end, they had four handsets for sale--two plain, a BlackBerry, and a clamshell--but subscriber numbers are unknown.

What's coming in 2008?

In-flight Internet (over Wi-Fi): 2008 is finally the year. It was supposed to be 2005. Or maybe 2002. But we should see a number of planes, mostly flying over the U.S., equipped with either in-flight Internet access or in-flight text messaging and text email. Connexion by Boeing's failure fortunately didn't discourage a half a dozen competitors who were in the R&D phase when Boeing wrote off its satellite-based Internet access venture.

AirCell, Row 44, OnAir, Aeromobile, Panasonic Avionics, and a T-Mobile consortium are among the announced or nearly announced firms with commitments or trials underway. AirCell and Row 44, focused on the U.S. market, plan to deliver Internet not voice to fuselages; OnAir and Aeromobile are working on mobile-based services, including voice, via existing cell phones and devices.

In 2008, American, Alaska, and Virgin America will launch trials over the U.S., and potentially move into production. OnAir should be expanding in Europe beyond the single French aircraft that's equipped in a trial now to RyanAir's fleet. And Aeromobile's Qantas trial could turn into real usage. There's likely action that will happen in Asia and the Middle East, too, that's not yet disclosed.

Other trends to watch

Wi-Fi in every smartphone with better integration. The iPhone was the leading edge, pun intended, offering 2.5G EDGE cell networking as part of the subscription price, along with seamless roaming to Wi-Fi networks. With RIM finally offering BlackBerry models with Wi-Fi, it's unlikely that any future smartphone model intended for serious users would lack the option.

Wi-Fi everywhere. Despite the setbacks in municipal Wi-Fi, wireless networks continue to expand, with better and better coverage found across larger areas and more locations. 2008 might be the year of hotspot saturation.

WiMax arrives. In 2008, we'll finally see production mobile WiMax in action in the U.S., and the questions about whether it works well enough and fast enough at the right price to beat current generation cell data networks, and make money for the disorganized Sprint Nextel will be answered. More certainly, Clearwire, with WiMax as its only option, will push aggressively to steal customers away from fixed, wired broadband, especially in markets with little competition.

Gadget-Fi a go-go. Wi-Fi will become an expected part of gaming consoles (already found in a few), cameras (found in crippled form in just a handful), regular cell phones (in dozens and dozens now), and music players (with more full functionality).




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