Musique : Rechercher |
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Musique : Rechercher |
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La Disparition (Frn)»rank: 17529par: Keren Ann
Chroniques et points de vue:Chronique amazon.fr:Après expulsion de la Chambre avec vue d'Henri Salvador qu'elle retapissa avec raffinement en compagnie de Benjamin Biolay, son fidèle complice, Keren Ann, révélation ingénument éthérée de l'année 2000, continue à baliser sa route de folk songs mélancoliques. La Disparition, deuxième album sensuel tissé d'instruments acoustiques (guitares, cordes) et de boucles électroniques, ravive le temps de l'innocence de Françoise Hardy, Jeanne Moreau ou Jane Birkin. Tel un voyage sentimental commenté avec élégance, elle cite Mallarmé, navigue entre radeau et méduse, et vibre aux sons de la harpe de 'Surannée'. ... |
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Keren Ann»rank: 17112par: Keren Ann
Chroniques et points de vue: :The fifth album from the Paris-and-New-York-based chanteuse is mesmerizing and beautiful all the way through. Unlike with, say, Mazzy Star or even Feist, Keren Ann shows that she can rise above the slyly sensual signing style to deliver actual croons. From the deliberately breathless vocal delivery to her own smartly minimalist and subtly layered production work, Keren Ann is the singer's finest work to date. Her voice remains the focal point, but intriguing instrumental choices dot the album, from the twisted, distorted guitars on 'lt Ain't No Crime' to the ... |
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Not Going Anywhere»rank: 21040par: Keren Ann
Chroniques et points de vue:From :There's something foreign, and disturbing about Keren Ann Zeidel's fourth album. The lsraeli native doesn't so much sing, as inhabit her moody compositions, creating haunting soundscapes that are as unsettling as they are beautiful, lingering in the memory long after you've put the CD back into its case. The multi-instrumentalist combines a hushed fragility with a fierce poetic austerity--with odd, truncated, inner rhymes--beginning with her rather severe confessional 'Not Going Anywhere,' to the ghostly specter and strategic awkwardness of 'End of May' extending throughout the eleven songs that make ... |
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Not Going Anywhere»rank: 21040par: Keren Ann
Chroniques et points de vue:From :There's something foreign, and disturbing about Keren Ann Zeidel's fourth album. The lsraeli native doesn't so much sing, as inhabit her moody compositions, creating haunting soundscapes that are as unsettling as they are beautiful, lingering in the memory long after you've put the CD back into its case. The multi-instrumentalist combines a hushed fragility with a fierce poetic austerity--with odd, truncated, inner rhymes--beginning with her rather severe confessional 'Not Going Anywhere,' to the ghostly specter and strategic awkwardness of 'End of May' extending throughout the eleven songs that make ... |
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Not Going Anywhere»rank: 21040par: Keren Ann
Chroniques et points de vue:From :There's something foreign, and disturbing about Keren Ann Zeidel's fourth album. The lsraeli native doesn't so much sing, as inhabit her moody compositions, creating haunting soundscapes that are as unsettling as they are beautiful, lingering in the memory long after you've put the CD back into its case. The multi-instrumentalist combines a hushed fragility with a fierce poetic austerity--with odd, truncated, inner rhymes--beginning with her rather severe confessional 'Not Going Anywhere,' to the ghostly specter and strategic awkwardness of 'End of May' extending throughout the eleven songs that make ... |
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Nolita»rank: 21040par: Keren Ann
Chroniques et points de vue:From :There's something foreign, and disturbing about Keren Ann Zeidel's fourth album. The lsraeli native doesn't so much sing, as inhabit her moody compositions, creating haunting soundscapes that are as unsettling as they are beautiful, lingering in the memory long after you've put the CD back into its case. The multi-instrumentalist combines a hushed fragility with a fierce poetic austerity--with odd, truncated, inner rhymes--beginning with her rather severe confessional 'Not Going Anywhere,' to the ghostly specter and strategic awkwardness of 'End of May' extending throughout the eleven songs that make ... |
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Chelsea Burns»rank: 21040par: Keren Ann
Chroniques et points de vue:From :There's something foreign, and disturbing about Keren Ann Zeidel's fourth album. The lsraeli native doesn't so much sing, as inhabit her moody compositions, creating haunting soundscapes that are as unsettling as they are beautiful, lingering in the memory long after you've put the CD back into its case. The multi-instrumentalist combines a hushed fragility with a fierce poetic austerity--with odd, truncated, inner rhymes--beginning with her rather severe confessional 'Not Going Anywhere,' to the ghostly specter and strategic awkwardness of 'End of May' extending throughout the eleven songs that make ... |
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Nolita»rank: 33499par: Keren Ann
Chroniques et points de vue:From :French singer/songwriter Keren Ann moved to New York to record the follow-up to her English-language debut, Not Going Anywhere. She settled in the area north of Little ltaly, i.e. Nolita, hence the title of her second release. While her first two recordings were in French, Nolita is in both languages (pre-production took place in Paris). lt's a quieter, more intimate affair than previous efforts, but just as lovely. Like Brazilian vocalist Astrud Gilberto or Mazzy Star's Hope Sandoval, Keren Ann never shouts when a whisper will do and the ... |
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Not Going Anywhere»rank: 33499par: Keren Ann
Chroniques et points de vue:From :French singer/songwriter Keren Ann moved to New York to record the follow-up to her English-language debut, Not Going Anywhere. She settled in the area north of Little ltaly, i.e. Nolita, hence the title of her second release. While her first two recordings were in French, Nolita is in both languages (pre-production took place in Paris). lt's a quieter, more intimate affair than previous efforts, but just as lovely. Like Brazilian vocalist Astrud Gilberto or Mazzy Star's Hope Sandoval, Keren Ann never shouts when a whisper will do and the ... |
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La Biographie De Luka Philipse»rank: 38367par: Keren Ann
Chroniques et points de vue:Chronique amazon.fr:Si le titre a quelque chose d'énigmatique La Biographie de Luka Philipsen est comme un livre ouvert. Pas de chichi et de longues digressions mais un phrasé profondément intimiste et léger qui se chuchote discrètement sur des envolées pop, hip hop, et folk yiddish ('0n est loin') ou américain. Une brise discrète et sensuelle souffle sur le premier album de Keren Ann coécrit avec son compagnon Benjamin Bioley. 0ù ce doux filet de voix qui est le sien s'attarde entre 'Jardin d'hiver' et 'Dimanche d'hiver'. Des ballades envoûtantes et ... |
