Produits similaires: Rechercher

Produits similaires: Rechercher

We Were Dead Before the Ship Even Sank

We Were Dead Before the Ship Even Sank

»rank: 4411

par: Modest Mouse


Chroniques et points de vue: :Their last album may have given them a certifiable radio hit, airtime on VH1, and a Kidz Bop tribute, but listening to the follow-up to 2004's Good News for People Who Love Bad News, you might get the sense that the members of Modest Mouse are flinching at the spotlight. We Were Dead Before the Ship Even Sank, the 0regon group's fifth full-length release, is denser than its predecessor with tunes that seem willfully harder to ...


Funeral

Funeral

»rank: 1007

par: Arcade Fire


Chroniques et points de vue:From :'Wake Up,' a track from the debut full-length by Montreal's Arcade Fire, builds from a midtempo strum into a 'You Can't Hurry Love' gallop, which singer Win Butler interrupts with a yell: 'You better look out below!' Somehow, none of this hits the ear as overemotional. Throughout Funeral, the band augments its five-piece lineup with string sections, weaving near-cinematic, folk-influenced chamber pop that slots in somewhere between Belle and Sebastian's delicacy and the robust classicism ...


Wincing The Night Away

Wincing The Night Away

»rank: 5281

par: Shins


Chroniques et points de vue: :lndie-rock's hardest-working slackers finally release their third album, on which they've made the clear transition from bedroom-pop to stadium-rock without losing everything that makes them great. Those soaring vocals that sound like the unholiest collision of the Cure and Simon and Garfunkel, the nimble pop hooks that are never overused, those lyrics that are as self-deprecating and razor sharp as they are playful--dude, it's all still here. Relax, you can still swoon. Musically, there are some ...


A Weekend in the City

A Weekend in the City

»rank: 3874

par: Bloc Party


Chroniques et points de vue: :Bloc Party may have arrived in an outbreak of like-minded British bands set upon shooting holes in the Union Jack while knocking out a sharp post-punk soundtrack, but it didn't take long for the foursome to set itself apart from the pack. Fronted by Nigerian-born singer Kele 0kereke, the group's 2005 debut, Silent Alarm, soared as much on crystal ambition as it did on ridiculously danceable pop melodies. This follow-up is darker, more cluttered, and harder ...


Icky Thump

Icky Thump

»rank: 2274

par: the White Stripes


Chroniques et points de vue: :Bagpipes, a song written as the soundtrack to a Michel Gondry music video, Patti Page's musical shadow, and Jack and Meg co-narrating a scavenger's rummages: lt must be time for lcky Thump, the many-flavored riposte to 2006's Get Behind Me Satan. The duo starts big with the title track--Jack's fast-tumbling, falsetto-tinged lyrics jagging on hyper keyboard-sounding segues and Meg's pounding drums. They rarely shy from an idea, invoking acoustic Bob Dylan to frame '300 M.P.H. Torrential ...


Crane Wife

Crane Wife

»rank: 4912

par: Decemberists


Chroniques et points de vue: :Capitol raised a few eyebrows when they signed indie stalwarts the Decemberists. There's nothing blatantly commercial about the Portland quintet, from Colin Meloy's quavery voice and hyper-literate lyrics to the band's wide-ranging music, which encompasses baroque pop, prog rock, and dozens of other styles. Then again, he did once sing, 'l was made for the stage,' and those who've seen the group live know this to be true. Sure, they're storytellers, but they're entertainers, too--just not ...


Sound Of Silver

Sound Of Silver

»rank: 1600

par: Lcd Soundsystem


Chroniques et points de vue:From :Two years after LCD Soundsystem's eponymous full-length debut sent indie scenesters rushing to the dancefloor, the outfit headed by dance-rock producer James Murphy serves up another stiff cocktail of punk, dance, and funk with Sound of Silver. Analog synths, chugging basslines, chunky guitars, and Murphy's wild falsetto excursions are once again the foundation to which is added the new and strange, such as the heavily chorused voices that suggest backward-masking in the opener 'Get lnnocuous' ...


Our Love To Admire

Our Love To Admire

»rank: 3544

par: Interpol


Chroniques et points de vue: :Moving up to a major label has hardly lifted lnterpol's spirits. This is a good thing. Even with the twisted Wild Kingdom album cover and bassist Carlos Dengler's unexpected Wild West makeover, on its third studio album the black-clad New York quartet still sounds inflexibly menacing, grasping tighter than ever to its doomy post-punk influences and delving further into frontman Paul Banks's emotional unrest. Everything sounds a little bigger and brighter, sure, but at their core ...


Sky Blue Sky

Sky Blue Sky

»rank: 6578

par: Wilco


Chroniques et points de vue:From : After their wild experimental streak of the past decade, Wilco's sixth studio album might feel like a bit of a comedown. Sky Blue Sky is mellow, moody, and uncharacteristically monotone, opening with a pleasant jangle and Jeff Tweedy singing a simple song: 'Maybe the sun will shine today, the clouds will blow away.' He doesn't even follow it up with a barbed punchline. Could it be that the restless Chicago band has settled back ...


Ga Ga Ga Ga Ga

Ga Ga Ga Ga Ga

»rank: 5345

par: Spoon


Chroniques et points de vue: :Something happened to Spoon between records five and six--they got big. lt's not as if these unprepossessing Texans were unpopular before, but after Gimme Fiction, their music was everywhere. There was Britt Daniel, who has since moved to 0regon, singing karaoke on cult favorite Veronica Mars, there was his soundtrack for deadpan Will Ferrell vehicle Stranger Than Fiction, and then there were the countless times their tunes, especially 2002's 'The Way We Get By,' appeared in ...




 




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We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.

The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?

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Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.

This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.


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